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• contents
  • 1. Introduction
  • 2.Instruments, techniques and choices
  • 3. Voice and live electronics- new musical parameters
  • 4. New roles for the electronic vocalist
  • 5. Electronics in a vocal interplay, a project report
  • 6. Combined aesthetics: challenges in modern and genre-crossing improvisation
  • 7. Voice Meetings: short story of sound
  • 8.Summary and outlook
  • References
  • Appendix
  • Tone Åse
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• abstract
  The basic focus of this project is how the use of live electronics can open up new musical possibilities and roles for the improvising vocalist in the musical interplay. The project is rooted in my background as a vocalist taking part in what could be called the Modern European Jazz Scene, and the musicians I have been cooperating with in this project are all important contributors in this musical field. The project has been carried out as an artistic research, where the artistic result has been presented in the form of recorded music and concerts. Recordings of the music are also presented as sound examples in this critical reflection. The main focus areas in this artistic research project are the following: • I have explored how the use of live electronic processing can open up for new musical parameters, compared to the sole acoustic voice as instrument in music. These new possibilities are related to the experience of how electronic processing can create distance from and transformation of the natural voice sound. • Furthermore, I have investigated how the use of these parameters can create new roles for the vocalist in the improvised interplay of my genre. • As a part of my project I have also explored how an audio tracking system created for the theatre scene can be used as a live electronic tool for an a capella ensemble, and contribute to new strategies in the improvised performance. • In another part of my research I have studied artistic possibilities through implementing the role of the storyteller in a musical performance with vocal and live electronics. I have wanted to find out more about how this implementation affects the relationship between performer and audience, and the perception of the performance as a whole. This part of my project has been carried out as a solo performance, in research collaboration with musicologist Andreas Bergsland. The research is using audience feedback, both to feed the artistic process, and to generate new knowledge about the perception of the performance.
• Tone Åse - The voice and the machine- and the voice in the machine - now you see me, now you don’t- - 2015
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