B.O.D.Y. - Between auditory fiction and body-reality by Erika Matsunami

The exposition "B.O.D.Y. – Between auditory fiction and body-reality" is a summary of my project `B.O.D.Y. 2010´, which was represented from 2009 (ground work) until 2012 and includes theory, artistic practise, procedure, realisation, representation and perception. Thereby, the theories refer to my artworks and are summed up my artistic thesis. The artworks in this exposition are related to the theses of the academic and scientific fields. The artistic research for the audio and visual works is based on the project `B.O.D.Y. 2010´. This project is an intermedia project; it uses media such as photography and drawing, photography and sound installation, and music (sound/sonority/noise) and drawing. The research field is interdisciplinary in visual arts and music within the expanded scope of the transdisciplinary approach. In the project B.O.D.Y., I used the time-based mediums of sound and performance which are the mixing layers of design, happening and performing. The act, as well as performance, is conceptual and improvisational which evokes, in contrast, the connotation of the objects with the body in real-time. In the space design for the installation and performance, the horizontal dimension of this installation is variable. Each exhibition space of the installation and performance will be re-designed by the cross-disciplinary approach in the art such as in the representation's concept and artistic approaches. This digital exposition is likewise a part of the concept and contemplation for the art book B.O.D.Y. about the conceptualisation for a multimedia art book design with intermedia artwork. (Human studies in the keywords is not the area of studies such as human science.) Therefore, my artistic practice in sculpture is 'relief' of its spatiality and narrativity in connection with materiality rather than as the symbolism in the post-conceptual era. It is MA (間) as a transmedia between Relief and Byōbu.

This paper is about my project B.O.D.Y. (2010) between 2009 and 2012, how I conceptualized for the creation with visual and auditory sensibilities in an artistic work, and thereby my questions are; what are creative visual- and auditory sensibilities? and what is 'Intermediality'? which are especially in the artistic creativity for the perception (Perzeption) such as in the exhibitions, which I try to approach theoretically and scientifically.

The theories and my artistc practices are interactive in my art works. My idea and execution of "Intermediality" - from photography via sound composition to install for the performance, and thier performativity is the important concept of the artistc project B.O.D.Y. (2010).

This paper are synthesize with 7 items:
- Real bodies and literary formalism (Idea)

- Illustration of the Imagination (procedure of visual concept/composition)

- Black - White : reducing - zero (in the process of conceptualisation)

- Imagination and encoding between visual and auditory (conceptualizing)

- Between auditory fiction and reality of body (procedure of sound composition)

- Space-time and perception (installation)

- In situ (performance)

In this expostion "B.O.D.Y. - Between auditory fiction and body-reality" the theories refer to my art works (including my artistic thesis) and art works in this expositon refer to the theses in the academic and scientific fields.

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