References

1    Victor. Acevedo, 'Why Digital Prints Matter', ACM/SIGGRAPH (2003).

2    Thomas P Ashe, 'Collaboration and Colour Management in Fine Art Digital Printmaking', School of Creative Media, Faculty of Art Design and Communication, Master of Applied Science in Photography (2001).

3    N. Barfield, R. Barfield, and G. Whale, 'Defying Convention: Emergent Practices in Digital Print', in IMPACT II  (Helsinki: 2001).

4    Honor. Bedard, 'Computer Art at the V&A', in V&A Online Journal (London: The Victoria & Albert Museum, 2009).

5    Alan Bryman, Social Research Methods. 3rd edn (Oxford: Oxford University Press, 2008).

6    Dieter  Daniels, 'Hand – Name – Script – Medium – Identity : Signature', Hochschule für Grafik und Buchkunst, (1996) <http://www.hgb-leipzig.de/index.php?a=person&b=mitarb&c=&d=&p=309&js=2&> [Accessed 15th May 2009.

7    Julia Davies, 'Affinities and Beyond! Developing Ways of Seeing in Online Spaces', E–Learning, , 3 (2006), 217 - 34.

8    Justseeds, 'Justsseds Artist Cooperative'2007) <http://justseeds.org/> [Accessed 1st April 2010.

9    Marilyn Kushner, S., 'Surfacing the Image: Digital Art and Its Antecedents in the Nineteenth and Twentieth Centuries.', in The Personalised Surface: New Approaches to Digital Printmaking, ed. by Paul Coldwell (V&A London: FADE, 2009).

10    Jon. Pengelly, 'Computer Mediated Printmaking: Expanding the Envelope from 2dimensional into 3dimensional.', in IMPACT 2 (University of Art and Design Helsinki UIAH: 2001).

11    David Platzker, and Elizabeth Wyckoff, Hard Pressed : 600 Years of Prints and Process (New York: Hudson Hill Press, 2000).

12    Herbert Read, (In), and Stanley William Hayter, New Ways of Gravure (London: Routledge & Kegan Paul, 1949).

13    Everett M. Rogers, Diffusion of Innovations (New York [u.a.]: The Free Pr. [u.a.], 1962).

14    Gillian Rose, Visual Methodologies : An Introduction to the Interpretation of Visual Materials (London; Thousand Oaks, Calif.: SAGE Publications, 2007).

15    Donald A. Schön, The Reflective Practitioner : How Professionals Think in Action (New York: Basic Books, 1983).

16    The-Library-of-Congress, 'Digital Preservation'2010) <http://www.digitalpreservation.gov/swf/activity.swf> [Accessed 14th October 2010.

17    Paul Thompson, 'Survey of International Printmaking Practioners #1',  (Aberdeen: Grays School of Art, The Robert Gordon University, 2009).