DARE 2019: machinic assemblages of desire is the Third International Conference on Deleuze and Artistic Research held every two years at the Orpheus Institute (Ghent, BE). The 2019 edition focuses on the use, translation and appropriation for music and the arts of Deleuze and Guattari’s concept of assemblage and invites artistic and/or scholarly presentations that either problematise existing assemblages or propose new ones.
The deadline for submissions is Sunday, 5 May 2019.
Invited Speakers: Anne Sauvagnargues (Paris Nanterre University, FR), Barbara Glowczewski (National Scientific Research Center - CNRS, FR), David Savat (University of Western Australia, Perth, AU), Edward Campbell (University of Aberdeen, UK), George E. Lewis (Columbia University, US), Ian Buchanan (University of Wollongong, AU), José Gil (New University of Lisbon, PT), Peter Pál Pelbart (Pontifical Catholic University of São Paulo, BR), Thomas Nail (University of Colorado, US), Yuk Hui (Leuphana University of Lüneburg, DE).
Chair: Paulo de Assis (Orpheus Institute, Ghent, BE)
Coordinator: Paolo Giudici (Royal College of Art, London, UK)
Advisory Board: Zsuzsa Baross (Trent University, Peterborough, CA), Arno Böhler (University of Vienna, AT), Henk Borgdorff (University of the Arts, The Hague, NL), Kathleen Coessens (Vrije Universiteit Brussel, BE), Laura Cull (University of Surrey, Guildford, UK), Lucia D’Errico (Orpheus Institute, Ghent, BE), Mika Elo (University of the Arts, Helsinki, FI), Julian Klein (Institut für künstlerische Forschung, Berlin, DE), Tero Nauha (University of the Arts, Helsinki, FI), David Savat (Deleuze and Guattari Studies Journal executive editor), Michael Schwab (Journal for Artistic Research editor in chief), Kamini Vellodi (University of Edinburgh, UK).
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