Investigating new forms of content creation, storytelling and audience engagement to reveal the Genius Loci of heritage sites (The Workhouse, Southwell)
(2022)
author(s): Andrea Moneta
published in: Research Catalogue
Heritage Project at The Workhouse, Southwell, is a 5-year long collaboration partly funded by National Trust with Nottingham Trent University; it was enabled by National Trust’s Research Strategy aimed at ‘fulfilling the role of heritage in the modern world, realising experiences that move, teach and inspire’. The project was focused on The Workhouse, Southwell to reveal its Genius Loci (distinct character), to unearth its forgotten, denied and unexpressed stories; and to unveil them through Scenarchitecture, Moneta’s performative methodology that utilises architecture and performance to provoke visitors to think differently about history, identity and today’s world.
Scenarchitecture blends Imagination with Memory using a given architectural site; it works with the complex overlay of historical and contemporary fragments embedded in the host building, and it combines them with the stories, memories and meanings of the people that lived there. The aim of this process is to unveil feelings, to reveal invisible links between places and people, using perception and sensibility.
Moneta’s project was developed through research-led teaching: since 2015, a number of Theatre Design students had been involved as active researcher for content creation; they had been paired with Workhouse’s volunteers to engage with the building and its archive material; together, they devised different 'stories' inspired by The Workhouse’s archive; in the first two years of development the project inspired students’ installations; from 2017, after gaining interest from National Trust, the ‘stories’ evolved into a collective, costumed promenade performance open to public around The Workhouse, with the volunteers as storytellers and Moneta as project manager and director.
The project is now a regular and popular feature of The Workhouse’s Public Programme inspired by a specific year’s theme. Outputs included photos and video, website and blog, newspaper article, exhibition; in 2019, a documentary captured the development of the project and final performance.
Between languages – seminar, exhibition, workshops
(last edited: 2021)
author(s): Linda H. Lien, Charles Michalsen, Ashley Booth, Hilde Kramer
connected to: Faculty of Fine Art, Music and Design, University of Bergen
This exposition is in progress and its share status is: visible to all.
Inspired by the Austrian philosopher Otto Neurath’s statement from the 1920s, Words divide, pictures unite, and his vision to democratize communication through creating a common visual language, we investigate how visuality can brigde the gaps between people with different cultural and social backgrounds.
The Dim Lit Subterranea of the Ancient Mind: the influence of place in ‘inspired’ composition, and the search for 'Ur' sound.
(last edited: 2020)
author(s): Jonathan Day
This exposition is in progress and its share status is: visible to all.
This interdisciplinary research progresses aspects of musical composition, musicology and organology though the application of specific recent developments within philosophy and physics.
There are two contingent ‘expeditions’–articulated constellations constructed of a suite of compositions (released as a musical album), exegetical writing and performances.
Atlantic Drifter investigates and evidences interactions developing from the implications of Object Orientated Ontology, (Harman, Bogost et al) for composition. OOO identifies the independent cosmopoesis of non human objects–the manner in which objects-with-agency declare the nature of their ‘world’ through artefacts. It calls the interaction of object worlds ‘encounters’. This research interrogates and transcribes a series of these encounters, experienced in locations internationally. It explores and reveals the agency of place, Genius Loci–air, water, stone, architecture interacting with the composer/philosopher. The research resulted in new music released through Proper Records. A chapter in Music, Myths and Realities (2017) offers a detailed exegesis of the theoretical advances facilitated by the creative work. The works and ideas were shared by invitation as concerts and keynote lectures at prestigious venues internationally.
The second expedition, A Spirit Library, develops from this and examines the ‘encounter’ with the physical presence and agency of sound itself. Schopenhauer’s exposition of music as Will was revisited though the lens of String Theory and aspects of Steven Hawking’s ideas about universal futures. The work explored the sound/human/instrument ‘encounter’, resulting in novel engagements with the cosmopoesis of sound. It allowed an extension into organology, where the generative influence of ‘Ur’ sound was applied to the construction of instruments, offering a novel understanding, shared in a streamed Keynote lecture, available online.
The work was performed by invitation at high status venues and on radio internationally. The music was positively reviewed, including selection as Album of the Year 2019 by Folk Radio UK.
Inspired by the Austrian philosopher Otto Neurath’s statement from the 1920s, Words divide, pictures unite, and his vision to democratize communication through creating a common visual language, we investigate how visuality can brigde the gaps between people with different cultural and social backgrounds.open exposition comments (0)