AS HOLA
(2025)
author(s): Aðalheiður Sigursveinsdóttir
published in: Research Catalogue, Iceland University of the Arts
AS this is an informal tale, restating my master’s studies.
AS I was in the midst of a Uturn, entering formal art education, my hopes and expectations were unclear but deeply felt.
AS ever, I feel compelled to question, review, examine some more. AS every question gives an indication to the inner world of the questioner. AS if I want to know if there is a pattern or a path?
AS a collector I have documented, framed and reflected with words and stored. As curators act I showcase my creative learning journey.
Distance, transmission, and journey in the collective construction of an Itaaká
(2023)
author(s): Bruno Moreschi, Irineu Nje'a Terena
published in: HUB - Journal of Research in Art, Design and Society
This exhibition discusses the collective construction of an ancestral instrument of the Terena indigenous people in the context of the artistic residency Con/Cri/Tec, held in 2023 at Casa do Povo, in São Paulo. The functions of the itaaká instrument, as well as the process of creating it in the residency, offered decolonial opportunities for understanding the idea of "distance" beyond the non-indigenous scientific view. The first contribution to this expanded understanding of distance comes from the functions of the itaaká, in particular, that of reducing the distance between the terrestrial and the spiritual worlds, based on the idea of "transmission". The second perspective of distance analyzed here came from the experience of building the itaaká, seen in the Terena culture as part of a collective initiation ritual. The making of itaaká performed in the artistic residency showed part of this ritualistic character and how this ancestral instrument relates distance to the idea of collective construction of a "journey".
コスプレ ko su pu re — Ti dedico corpo e animæ
(last edited: 2025)
author(s): Gloria Furlan
This exposition is in progress and its share status is: visible to all.
This research explores the phenomenon of Cosplay as experienced by Cosplayers themselves through a subjective lens.
A project that stems from specific personal attitudes and inclinations to the practice of Cosplay — コスプレ kosupure — in relation to japanese entertainment media. The focus of the analysis resides in individuals influenced to the point of bordering on obsession, surrounded by characters from works of Japanese animation, illustration and graphics — Anime, Manga and RPG — culminating in the practice of donating one’s body through the practice of interpretation, assimilation and appropriation.
Consistencies and idiosyncrasies between assumptions and experience are addressed starting from Japanese imagery, cultivated by years of tactile and vivid experience of this practice as carried out in Italy.
The impact and perceived impact of the journey facilitated a firsthand, lived experience through my month-long stay in Toshima, one of Tokyo’s twenty three special districts. The reiteration of this practice in the country accredited for the birth and export of Cosplay, put to test the skills and preconceptions developed over years of experience and virtual exploration. Analyzed the ideological presuppositions set forth by Luca Vanzella in Cosplay culture: fenomenologia dei costume players italiani, found within my personal experience in Italy, the same were used as a key to reading and interpreting the experience in Japan, analyzing points of contact and divergence. Through this paper I wish to document the vivid aspects of a research at a still embryonic state, without rushing to judgment.
A vision that is not intended to be faithful to reality as a focused image, but rather as the perception of light imprinted in the first impact with the retina. It represents, in its essence, an investigation that reports testimonies and subjective experiences, exploring with individuals the value placed on their choice of character, the reasons for choosing to lend one’s body to such practice. The unambiguous presence of the self, versus, the assumptions of loss of identity and desire for escape in the link between Cosplayer, performance act and self-perception. Analyzing the relational dynamics between Cosplayers and those shared personas, with a focus on the figure of the otaku and the way it relates to this practice.
This printed object consists of 2 main parts; the first visual and graphic and the second textual and theoretical. Bound together by the “japanese stab binding” technique, that has been appropriated in correlation to the practice of Cosplay. Becoming not only a physical link, but also a key conceptual and graphic element. Giving body and matter to the characters that make up the term Cosplay.
Gian Majidi Singing Journey
(last edited: 2021)
author(s): Gigi Gian
This exposition is in progress and its share status is: visible to all.
Who am I? Kuka minä olen? Do I have any answer for this? I do not know yet and maybe whole of this long trip will remain the same. Uncertainty will be the cause and the result.
Should I try to be someone else or something else? Can I do that? How? What's happened to me? Why I am here and now?
This is question which i am looking to give some answer. If I do not know who I am, how you want to know about me?
I give you some pictures and feelings to make you happy about me, to make you at ease about me. let's walk and recall some memories together.
I have been writing poems and novels, screenplays and theaters, I was writing about music and movies. I have been playing and acting. I have loved performances and always communicating with people.