Project

Composition Methods of Musical Narration in Postdramatic Theatre

Rita Mačiliūnaitė (Principal Investigator), Antanas Kučinskas (supervisor), Mindaugas Urbaitis (supervisor)
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About this project

en
The object of the practical (creative) part of this artistic project is equivalent to the object analysed in the research paper Composition Methods of Musical Narration in Postdramatic Theatre. In addition to the creation of acoustic and electroacoustic compositions, the composer also plays an active role in interdisciplinary art. The research paper analyses musical narration in the works of postdramatic theatre which have a clear musical discourse. The objective of the research is to identify forms of musical narration in the works of musical postdramatic theatre. During doctoral studies in arts, the author plans to continue to actively create music for the theatre, interdisciplinary projects, stage productions, musical-instrumental shows with a very clear musical discourse and without the traditional dramatic narrative, where objects are portrayed (the story is told) using music. The main aim is to create a musical work for the stage (e.g. a sound theatre) representing the musical narration theatre which is one of the fields of postdramatic theatre. The work would consist of musical narration without the traditional literary text sequence. As the author becomes a participant-observer during the artistc project (since the object of the research and creative parts of the project is the same), she is expected to have an analytical approach of a creative artist towards the entire creative process from generation of the idea to its on-stage realisation.

lt
Šio meno projekto praktinės veiklos (kūrybos) objektas yra tapatus analizuojamam tiriamajame darbe „Muzikinės naracijos komponavimo būdai postdraminiame teatre“. Kompozitorė, šalia akustinių, elektroakustinių kompozicijų kūrimo, aktyviai dirba tarpdisciplininio meno srityje. Tiriamajame darbe tiriama muzikinė naracija postdraminio teatro krypties, pasižyminčios ryškiu muzikiniu diskursu, kūriniuose. Tyrimo metu tikimasi išsiaiškinti, kokios muzikinės naracijos formos egzistuoja muzikinio postdraminio teatro veikaluose. Meno doktorantūros studijų metais planuojama ir toliau aktyviai kurti muziką teatrui, tarpdisciplininius projektus, sceninius veikalus, muzikinius-instrumentinius spektaklius, kuriuose labai ryškus muzikinis diskursas, atsisakoma tradicinio draminio naratyvo, o vaizdavimo objektai (istorija) kuriami padedant muzikai. Pagrindinis siekis – sukurti muzikinį-sceninį veikalą (pvz., garso teatrą), kuris atstovautų vienai postdraminio teatro krypčių – muzikinės naracijos teatrui. Jame egzistuotų muzikinė naracija ir būtų atsisakoma tradicinio literatūrinio teksto nuoseklumo. Rengiant meno projektą autorei tapus dalyve-stebėtoja (dėl minėtos praktinės veiklos ir tiriamojo darbo objekto tapatumo), tikimasi menininko-tyrėjo analitinio požiūrio į visą kūrybos procesą nuo idėjos sukūrimo iki jos realizavimo scenoje.
field of studyMusic: Composition
credit value240
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