Adjusting the levers on the module to the next chord is primarily the key challenge. I expect that the more I get into this approach, the more complicated it will be to find new playing techniques and fingerings. It is an area that will require deeper engagement for new skills. With further experience, the development of a more efficient or systematic approach to jazz harmony could allow for the adaptation of existing knowledge to this specific harmonic style.
While the qanun has traditionally been thought of as a melodic or gestural instrument, my theory shows that viewing it as a harmonic and rhythmic instrument allows for a wider range of sounds. This conclusion is based on my observations, which can be found in this section.