Extract from an interview with the band Huun Huur Tu

 

Question: When did you start to try “crossover” projects? Why?

Huun-Huur-Tu: We started crossover projects from the very beginning of our international career. Our regular tours started in the USA in 1993. 1992-1993 were years of  real explosion of the wide interest to Tuvan music. Our US “breakthrough” happened with significant help of known US musicians, with whom we made joint recordings in 1992-1993. It was Frank Zappa, who invited us to his home studio in Studio City and made recordings of our music with participation of Frank himself on guitar, Johnny “Guitar” Watson, L.Shankar, and Chieftains. It was an incredible cross-cultural experience. Because of Frank´s death this material has been never released…Another joint project was work with Ry Cooder for “Geronimo” movie soundtrack. Doing this work, we were surprised –  how close is Tuvan culture to the culture of native Americans, so both we and American Indians started to believe that their predecessors migrated to American continent from Siberia. We also made several recordings with Kronos Quartet (later released in 2 CDs – “Night Prayers” and “Early Music”), and Mickey Hart – the drummer of Grateful Dead. Why we did all this in 1992-1993? First of all, all these American musicians, representing very different music directions, were eager to do something together with us. It was their initiative. We  were proud to collaborate with them, we also were proud to be true “ambassadors” of unique Tuvan music.


Each folk music, instrument and music genre has different roots and its way to perform. How do you connect your music or yourself with the music or musicians from other cultures? 

Huun-Huur-Tu: We have found an amazing thing – ethnic music gives a lot of natural space and common roots for harmonious collaboration. So, usually it is not necessary to work hard on finding special ways of “connection”. Genuine ethnic music is very natural way of communication  between humans, or between human and nature. Regardless of “geography” of this music, we often find common ground and enjoy blending our traditions, improvising, etc. It happened many times – with Bulgarian and Russian traditional singers and instrumentalists, Greeks, Africans, Tibetans, Iranians, Celtic musicians …


Source: https://www.jaro.de/portfolio-items/huun-huur-tu/#Interview-8


Closest-known ancestor of today’s Native Americans found in Siberia


 

"Paleo-Eskimos originating in Siberia crossed Beringia about 5000 years ago, mixing with indigenous Americans from a previous wave of Siberian migrants, as well as a much later lineage called Neo-Eskimos, the team concludes. This tangled family tree underpins the ancestry of modern speakers of indigenous Na-Dene and Eskimo-Aleut languages."


Read the article here

What pulls me into these cultures? why does it resonnates with me so deeply?

Throat singing

Under The Same Stars

text and photography by Acacia Johnson


Winter in the Arctic: vibrant, pulsing. The throb of club music pours from the community hall, streets alive with the roar of skidoos and the cries of dog teams. Faces illuminated by the eerie glow of iPad screens in this polar night, the ding of text messages, the glow of the moon, the buzz of televisions and sewing machines and the silent stillness of hunters waiting, waiting. Feasts of walrus, seal and Coca-Cola; everyone talking about the land, returning to the land. Dancing, praying, hunting, sewing, playing games, telling stories, passing time. Waiting for spring, for the return of life - yet everything continues, even in darkness.

The north of Baffin Island, in the Canadian territory of Nunavut, is one of the coldest inhabited regions on earth. For nearly 5,000 years, the Inuit have lived a nomadic lifestyle in this landscape, subsisting off of the land and the sea until the 1950s. Communities today navigate shifts between the lifestyles and values of elders raised in a traditional hunting society, and the young generations growing up in the wake of colonization, with social media and access to the Internet. 

Photographed over four months in the community of Ikpiarjuk (Arctic Bay), Nunavut in 2014-15, Under the Same Stars celebrates the vibrancy of community life and the Arctic winter landscape during the darkest time of the year. 

Inuits are hunters. They are seasonal nomads and live in groups.

Throat singing is a traditional musical art and game in the Inuit culture.

The produced sounds are intended to imitate nature sounds.

"The immediate environment and individual experiences as well as collective (related to the history of families and arctic communities) are the main sources of artistic inspiration, including themes represented from shamanism and imagination."

Inuit Art Zone Gallery.


"[In the] Inuit cosmology, [the] universe (silajjuaq in Inuktitut, the Inuit language) is inhabited by human beings (humans, animals, and vegetables), deceased’s (inuviniit) and spirits (tuurnngait); all live in different but inter-penetrating worlds.

[...]

In the old days, shamans served as intermediary between these three worlds thus, maintaining the balance. Shamans travelled from beings’ world to the deceased’s or spirits’ world flying through the air or water to keep connection between all inhabitants of the universe. Shamans got strength and power from protector auxiliary spirits (tuurnngait) who help him/her to realize this task. Polar bear was often one of these helpful spirits because this animal is physically and symbolically very powerful.

Different rituals were practiced when shamans wanted to get connection with other humans beings (who live far away), or dead people, or invisible entities; shamans used to dance playing drums in order to call shamans’ helpful spirits. When they come, shaman’s visible appearance would change; this is the exact moment when the shaman and the bear (or any protector spirit else) were getting connected thus, merging together their tarniq (spirit), their anirniq (breathing), and their bodies. Then we see a polar bear dancing and playing drums (or a shaman acting like a bear)."


source: inuitartzone.com

A transformation scene where the shaman merge with protector auxiliary animal spirits.

Even  though many young artists have not experinced themselves these transformations, their depiction is still important in the tradition. The stories are passed on by elders through oral tradition.

Do I look like them?

 

Do I look like them?

Short debate between the canadian artist Amanda PL, who's show has been cancelled after being accused of cultural appropriation of Norval Morrisseau's work, and the native american artist Jay Soule.

About Cultural Appropriation