Lets start at the beginning, again. I was seeking a sense of belongingness in a space that is in a constant flux, where the only thing that's constant is change.
I discovered spatial rhythms and elements in my surroundings and some found during my travels.
What are the conditions that I need to perform this journey?
Perhaps a space that dictates my movements.
A method of connecting this fictional world with a real world.
And so I created very specific worlds. Islands.
These spatial worlds are the bearable paths with a beginning and an end. They are a parallel passage in space.
They are porous realities, these worlds.
Transformable.
Where the light reveals the unseen side of them, the negative.
Revealing their skin.
Light became about time.
A transference of the material into immaterial.
I became aware of my closeness to utopia through this play of light and shadow.
Collecting performances with circular/spirular objects/subjects and studying the role of the spectators.
A study of relationships between
1. agency of the object and the body
2. agency of the spectator, the object and performer.
The notion of kinesphere was created by Rudolf Laban to define: “the sphere around the body whose periphery can be reached by easily extended limbs without stepping away from that place which is the point of support when standing on one foot” (1966, p.10).
It is also the first area of movement exploration before going into “space in general”.