Table of Contents

 

Research Question


Introduction - The personal appeal of going 'Back to Bach'


Introducing the composers and their works

Introduction to Hindemith - Paul Hindemith and his affinity with early music

Introduction to Bach - J.S. Bach, the man behind the music

Introduction to Hindemith’s Solo Sonata Op.25 No.1 - Hindemith’s favourite Solo Sonata Op.25 No.1 for his beloved viola

Introduction to Bach’s Cello Suites - The illustrious Cello Suites by J.S. Bach


The historical timeframe and its influence on Hindemith

Style in the 20th century - The stylistic excesses of the 20th century individuality

Hindemith’s influences - Impactful composers for Hindemith apart from Bach


The analysis

The structural analysis - The structural enigmas and interrelation between the works of Bach and Hindemith

The rhythmic frame and its deep-rooted motives

The use of echoes and development of repeated bars

Sequences, 200 years apart

Movement acceleration inside the written notes

Pedal tones as our guide

Harmony as melody in connection to hidden counterpoint

Mathematical aspects and symmetrical ideas inside the general structure

Conclusions

Harmony in Hindemith - Hindemith’s Unterweisung im Tonsatz harmony


The performing artist behind the research

              From the research to the stage: Performance incorporation

              From the stage to the audience

              The audience response


Conclusions - Connecting the dots of my research


Bibliography

 

Invitation to concerts

>