Graphic example (1st theme)

Figure 1 (m.1-10): 1st theme and repetition of 1st theme.








Graphic example (Variation of 1st theme)

Figure 2 (m.11-25): Variation of 1st theme. 








Graphic example (Repetition of 1st theme in different keys)

Figure 3 (m.26-37): Repetition of 1st theme first in Db major and then in C major.








Graphic example (Interlude in C Phrygian)

Figure 4 (m.38-49): Interlude in C phrygian that leads to one last repetition of the 1st theme in F major.









Graphic example (Repetition of 1st theme in the home key: F major)

Figure 5 (m.50-59): Repetition of 1st theme in the home key: F major.

 






Graphic example (Variation of 1st theme and closing of section A)

Figure 6 (m.60-75): Variation of the 1st theme and closing of section A. The theme is variated in Ab major and it modulates back to F major with the perfect cadence in bar 64.

  





 



 


 




 

 








A SECTION

 

 

 

 

 

Graphic example (B section: cante jondo 1st - part)

Figure 7 (m.76-91): B section: cante jondo b theme 1st part in C phrygian.

 

 

 

 

 

 

 

Graphic example (B section: cante jondo b theme - 2nd part)

Figure 8 (m.91-103): B section: cante jondo b theme 2nd part.

 

 

 

 

 

 

 

 

Graphic example (Closure of B section)

Figure 9 (m.104-114): Closure of B section. Modulation to F major.

B SECTION

 

 

 

 

 

 

 

 

 

Graphic example (Back in A section)

Figure 10 (m.115-124): Back in A section. 1st theme in the home key F major.


 

 

 

 

 

Graphic example (Variation of 1st theme in Ab major, closing theme and CODA)

Figure 11 (m.125-140): Variation of 1st theme in Ab major, closing theme and CODA. 

A SECTION 

RE-EXPOSITION