Bibliography

Agamben, Giorgio. 1999. Remnants of Auschwitz: The Witness and the Archive. Translated

by Daniel Heller-Roazen. New York: Zone Books.

Balfour, Michael. 2009. ‘The Politics of Intention: Looking for a Theatre of Little

Changes’. Research in Drama Education: The Journal of Applied Theatre and Performance 14 (3): 347–59.

———. 2012. ‘Mapping Realities: Representing War through Affective Place Making’. New

Theatre Quarterly 28 (1): 30–40.

Barthes, Roland. 1977. ‘The Death of the Author’. In Image, Music, Text, translated by

Stephen Heath, 142–48. New York: Hill and Wang. 

Bharucha, Rustom. 1993. Theatre and the World: Performance and the Politics of

Culture. London: Routledge. 

Dinesh, Nandita. 2015a. ‘Delusions of Singularity: Aesthetics, Discomfort and Bewilderment

in Kashmir’. Research in Drama Education: The Journal of Applied Theatre and Performance 20 (1): 62–73. doi:10.1080/13569783.2014.975111.

———. 2015b. ‘Poetics and (Mis)representation: Creating Theatre with/for/about

Ex-militants in Kashmir’. Performance Research: A Journal of the Performing Arts 20 (1): 113–22. doi:10.1080/13528165.2015.991581.

———. 2015c. ‘Grey Zones: Performances, Perspectives, and Possibilities in Kashmir’. PhD

thesis, University of Cape Town.

Edmondson, Laura. 2009. ‘Genocide Unbound: Erik Ehn, Rwanda, and an Aesthetics of

Discomfort’. Theatre Journal 61 (1): 65–83.

Gambaro, Griselda. 1992. Information for Foreigners: Three Plays. Edited and translated by

Marguerite Feitlowitz. Evanston, IL: Northwestern University Press.

Hughes, Jenny. 2007. ‘Theatre, Performance and the “War on Terror”: Ethical and Political

Questions Arising from British Theatrical Responses to War and Terrorism’. Contemporary Theatre Review 17 (2): 149–64.

———. 2011. Performance in a Time of Terror: Critical Mimesis and the Age of

Uncertainty. Manchester: Manchester University Press.

Kalmanowitz, Debra. 2013. ‘On the Seam: Fiction as Truth – What Can Art Do?’ Journal of

Applied Arts and Health 4 (1): 37–47.

Kher, Kailash. 2006. ‘Khuda se mannathu’ [Song].

Levi, Primo. 1989. The Drowned and the Saved. Translated by Raymond Rosenthal. London:

Abacus.

Markham, Annette N. 2005. ‘Go Ugly Early: Fragmented Narrative and Bricolage as

Interpretive Method’. Qualitative Inquiry 11 (6): 813–39.

Martin, Carol. 2006. ‘Bodies of Evidence’. TDR: The Drama Review 50 (3): 8–15.

McNiff, Kelsey. 2013. ‘On Creative Writing and Historical Understanding’. Journal of

Applied Arts and Health 4 (1): 29–35.

Menon, Jisha. 2013. The Performance of Nationalism: India, Pakistan, and the Memory of

Partition. Cambridge: Cambridge University Press.

Munshi, Soumyanetra. 2013. ‘Analysis of Conflict within a Contested Land: The Case of

Kashmir’. Defence and Peace Economics 24 (3): 261–92.

Nicholson, Helen. 2005. Applied Drama: The Gift of Theatre. New York: Palgrave

Macmillan.

Sarukkai, Sundar. 2007. ‘The Other in Anthropology and Philosophy’. Economic and

Political Weekly 32 (24): 1406–9.

Sen, Amartya. 2006. Identity and Violence: The Illusion of Destiny. New York: W. W.

Norton.

Thompson, James. 2003. Applied Theatre: Bewilderment and Beyond. Oxford: Peter Lang.

———. 2009. Performance Affects: Applied Theatre and the End of Effect. Basingstoke, UK:

Palgrave Macmillan.