T H E  D A R K


International Conference on Deleuze and Artistic Research

DARE 2015 | Orpheus Institute | Ghent | Belgium | 9-11 November 2015

O P E N - A C C E S S   R I C H - M E D I A  P R O C E E D I N G S

Edited by Paulo de Assis and Paolo Giudici

Heloisa Amaral and Ingeborg Dalheim



'Pub' by George Aperghis and 'Got Lost' by Helmut Lachenmann


Outlandish Concert, Day 2, 10 November, De Bijloke Kraakhuis, 20:00



Outlandish is a concert connected to Deleuze and artistic research in many ways, starting with the title, which as a synonym of “deterritorialised” refers to one of the mutual affects of philosophy and artistic practice that DARE 2015 proposes to explore. But more importantly, there are personal and material connections produced by Bernhard Lang’s Belgian premiere of The Tables are Turned (2010), Marc Ngui’s Drawings from A Thousand Plateaus (ongoing since 2004), and Juan Parra C.’s The Egg, which is both the electronic Dogon Egg he built and the new piece he will premiere.




Ingeborg Dalheim studied at the Norwegian Academy of Music with Mona Julsrud and Svein Bjørkøy. She has made baroque vocal interpretation her speciality and worked with conductors including Gabriel Garrido, Rinaldo Alessandrini and Alan Curtis. Since 204 Dalheim has been a member of Les Arts Florissants, directed by William Christie, and also performs on a regular basis with Hespèrion XXI, directed by under Jordi Savall