The contemporary nuraghe
(megalithic monuments contemporaries)
The research began with the analysis of a particular urban iconography, the so called cemeteries to carcasses of cars that are stacked and for pyramidal shape, I decide to compare them megalithic nuraghe art of prehistory. In the works emerge an original ability to capture the anxiety, discomfort the tension. The composition are distressing. A little light passes only through some spaces that have been inadvertently created between the cars. Car interiors jealously guarded, like a tomb, an infinity of: love, confession, abuse, betrayal, sex, oaths, agreements, deception, advice, regrets, desires, statements, insults, thoughts and adventures. Memories of a lifetime, registered on the seats, the dashboard or in the door that can not vanish. They have been joined to gether to create an energy that feeds this huge mountain of cars stocked, here are the“Contemporary Nuraghe”.
The digital manipulation distributed according to a variety of perspectives formalities the same subject (cars scrapped) hours following the balance vertical, now perpendicular to a horizontal line. The appearance of color spreads with combinations of reds and black, green and blue, gray and blue, rend and yellow, designed in the dosage of colors and tones. The search expression did not end, but continues. The final production has also created a new expressive language, in fact using the same iconographic elements(cars scrapped) designing more visual scenarios: seascapes, sunsets, urban solutions, compositions of objects that are currently in the planning stage.