Contents
memory #1
key questions
instrument setup (as of April 2016):
me (and you)
what could artistic research be (to me)?
methods
hyper(sonal) piano
terrain
personal piano
the karman line
duets
memory #2
flow-friction
memory #3
Trails on sounds and sound-layers
tonic – dystonic – complex
soft – loud / idiomatic – non idiomatic dynamics
one layer – many layers
tuned – detuned
memory #4
bright – dark
fine – coarse
rest – motion
close – distant
far from source – close to source
idea – representation
improvised – pre-conceived
hiding – revealing
pattern – random
comfortable – uneasy
playing – tweaking – listening
analytic – mindful
memory #5
Trails on instrument construction
safe – insecure
interplay – internal play
weight – function
function – flexibility
software – hardware
acoustic – amplified
other trails
interagency
ambivalence
techne
baroque
delyrify
denaturalize
instability is human?
song lyric
structure/surface
density
melody
vocals and influences
a regular skin
stutter
many tempos
short loops
memory #6
risk
restlessness
elasticity
accidents
sound
sound control
feedback
emulsification
humane/human
tools
manual labour
memory #7
memories of interagency
interconnections
digital section I, Ableton Live
digital section II, Max
pedal poetry
other hardware
microphones, processing and amplification
sound distribution
the electroacoustic version
marxuino
lightning mountain
modules and patching
satellite projects and recordings
concerts
key reads
key artists and artistic research projects
thank you