Moving the mouse cursor over the top of the page will display the menu bar.
From the beginning, Tårnby Park Studio (and its predecessor “Public Space” with the Tårnby Torv Festival) has been a place for artistic research. Supported by the Ministry of Culture, Andreas Liebmann has taken the site-specific development work as an opportunity to explore in open-ended processes what a contemporary and locally situated institution for “experimental folk theater” might look like. The research focuses on questions of participation, artist-driven self-instituting, as well as cultural policy and strategic issues. As of 2024, Andreas Liebmann has been supported three times with significant contributions, making it possible for Tårnby Park Studio to develop and grow with a certain independence and appropriate slowness.
Tip
This page contains media that is intended to start playback automatically on opening. This may include sound.
Your browser is blocking automated playback. Please
click here to start media.
From the beginning, Tårnby Park Studio (and its predecessor “Public Space” with the Tårnby Torv Festival) has been a place for artistic research. Supported by the Ministry of Culture, Andreas Liebmann has taken the site-specific development work as an opportunity to explore in open-ended processes what a contemporary and locally situated institution for “experimental folk theater” might look like. The research focuses on questions of participation, artist-driven self-instituting, as well as cultural policy and strategic issues. As of 2024, Andreas Liebmann has been supported three times with significant contributions, making it possible for Tårnby Park Studio to develop and grow with a certain independence and appropriate slowness.
Imaginations for a place 2017
"What's your public space in Tårnby" - with this question, a new chapter begun.
A dialogue with the municipality and its citizens which turned into an instituting proces which is still going on.
Abendschule Import. 2026-2019
Abendschule Import was a project happening in different theatres, art museums and festivals in Switzerland . It had the purpose to draw new pictures of refugees and migrants in Switzerland, inviting them to teach classes in their professions and competences. Each evening two courses. www.abendschuleimport.ch.
Alle Sprachen - Crashkurs 2012
For three weeks, Marcel Schwald and Andreas Liebmann created a language course marathon: 1 hour of another language each day at Brunnenpassage Wien. To prepare this, we went through shops, cafes and asked on the street passers by and local working people, if they would be up for teaching one hour in their (non-austrian) language.
Kuscheln mit Deutschen 2010
"Kuscheln mit Deutschen" (Cuddeling with Germans) was a public cuddle action as response to the increasing negative public discourse about the Germans in the german part of Switzerland. Marcel Schwald and Andreas Liebmann invited passengers for a cuddeling session and read Julius Caesars book about the Germans. In a second step we created a cuddle space at Gessnerallee Zürich.
Malade Public 2011
"Malade Public" was a public performance about being sick: "Tell me your disease!". Street performance with a follow up performance at the theatre "Schlachthaus Theater Bern". My dialogue partners made a drawing on the map of Bern showing where they walk along. The drawing here shows the movement pattern of a person with tinnitus.
Habla Con Migo 2007
"Habla Con Migo" was a dialogue based street
performance in the mountains of Bolivia in La Paz and the nucleus for what later became a principle for many following works: The dialogue with passers by as the basis for research, performance creation and for instituting. The performance originated in the question of where and who I was - as a Swiss artist without a clear grounding in an own practice visiting a mainly unknown country. So I asked people to tell me about themselves. A way to get to know the country bette, its people - and also myself. Street Performance, Exhibition at Museo Tambo La Paz, Book.
From the beginning, Tårnby Park Studio (and its predecessor “Public Space” with the Tårnby Torv Festival) has been a place for artistic research. Supported by the Ministry of Culture, Andreas Liebmann has taken the site-specific development work as an opportunity to explore in open-ended processes what a contemporary and locally situated institution for “experimental folk theater” might look like. The research focuses on questions of participation, artist-driven self-instituting, as well as cultural policy and strategic issues. As of 2024, Andreas Liebmann has been supported three times with significant contributions, making it possible for Tårnby Park Studio to develop and grow with a certain independence and appropriate slowness.# Empty template