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contents
- TABLE OF CONTENTS
- PROLOGUE
- CHAPTER 1 - INTRODUCTION
- CHAPTER 2 - THE IMPROVISATIONAL SPEECH TOOLBOX
- CHAPTER 3 - THE SPEECH TRANSCRIPTION PROCESS
- CHAPTER 4: TRANSCRIPTIONS - AN ANALYSIS
- CHAPTER 5: HARMONISATION
- CHAPTER 6 - A TRANSCRIPTION BECOMES A COMPOSITION
- CHAPTER 7 - DEVELOPING THE IMPROVISATIONAL EAR
- CHAPTER 8 - EXERCISES TO DEVELOP THE IMPROVISATIONAL EAR
- CHAPTER 9 - DISCUSSION AND CONCLUDING REMARKS
- BIBLIOGRAPHY
- APPENDIX II - LIST OF EXPERIMENTS
- APPENDIX III - LIST OF VIDEO EXAMPLES
- APPENDIX IV- LIST OF AUDIO EXAMPLES
- APPENDIX V- ORIGINAL COMPOSITIONS
- Hue Blanes
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abstract
This artistic research investigates the transcription process in improvisational musical landscapes. Particularly the transcription process of speeches and speech patterns for the main purpose of developing and furthering jazz language to communicate more effectively as a communicator-improviser. This research asks the question, how can musicians build improvisational musical language through the study of speech? Effective methods of transcribing practice with the goal of developing the musical ear are developed during this research. These are demonstrated with analysis, harmonisation, survey, additional experiments and a set of improvisations and compositions. A systematic approach to improvisation in a spoken style will be shaped and consequently, the ‘voice on the piano’ will be found. These outcomes will be presented with the aspiration to venture toward melodic and harmonic possibilities of functional harmony not yet established in improvisational vocabulary.
- Hue Blanes - The Improvisational Ear-How to build improvisational language through the study of speech - 2019
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