Mark Edwards

Moving Early Music: Improvisation and the Work-Concept in Seventeenth-Century French Keyboard Performance

Elizabeth Dobbin

In search of a politesse du chant: Rediscovering salon vocal performance practice through the lens of the airs sérieux in the Recueils d'airs serieux et à boire de differents autheurs, 1695-1699

2021

Joost Grootens

Blind Maps and Blue Dots

Stanimira Withers

Musika: The becoming of an artistic musical metaphysics

Thalia Hoffman

The Guava Platform

k.g.Guttman

Territoriality and Choreography in Site-Situated Performance

Kevin Toksöz Fairbarn

Poiesis and the performance practice of physically polyphonic notations

2020

Issa Boulos

The Palestinian Music-Making Experience in the West Bank, 1920s to 1959: Nationalism, Colonialism, and Identity

2019

Emlyn Stam

In Search of A Lost Language: Performing in Early-Recorded Style in Viola and String Quartet Repertoires

Ilya Ziblat Shay

Between Freedom and Fixity: Artistic Reflections on Composition and Improvisation

Susan Williams

FINDING FOCUS - Using external focus of attention for practicing and performing music 

Riccardo Giacconi

The Variational Mode - Three cases about documents, artworks and animation

Petra Klusmeyer

Sonic Peripheries: Middling With/In the Event

Magda Dourado Pucci

Cantos da Floresta

ACPA    -     PhD´s Artistic Output 2010-2021

2018

Jonas Staal

Propaganda Art from the 20th to the 21st Century

Gilbert Blin

The Reflections of Memory - An account of a cognitive approach to historically informed staging

Andrea Stultiens

Ebifananyi, a study of photographs in Uganda in and through an artistic practice

Henri Bok

The deep-rooted microtonality of the bass clarinet

Crawford Young

La Cetra Cornuta : the horned lyre of the Christian World

Elske Tinbergen

The 'cello' in the Low Countries- The instrument and its practical use in the 17th and 18th centuries

2017

Dick de Graaf 

Beyond Borders. Broadening the Artistic Palette of (Composing) Improvisers in Jazz

Yannis Kyriakides 

Imagined Voices A Poetics of Music-Text-Film

Lilo Nein 

Writing performance : on relations between texts and performances

Budhaditya Chattopadhyay

Audible Absence: Searching for the Site in Sound Production 

Joost Vanmaele 

The Informed Performer - Towards a bio-culturally informed performers’ practice

2016

Hans Scholten 

Het Urban Future-project

Andrew Wright 

The polyphonic touch : coarticulation and polyphonic expression in the performance of piano and organ music

Frank Blokland 

On the origin of patterning in movable Latin type : Renaissance standardisation, systematisation, and unitisation of textura and roman type

Sophie Ernst 

The magic of projection : augmentation and immersion in media art 

Christopher Williams 

Tactile Paths. On and through Notation for Improvisers

Niels Berentsen 

Discantare Super Planum Cantum : new approaches to vocal polyphonic improvisation 1300-1470

2015

Nicoleta Paraschivescu

Die Partimenti von Giovanni Paisiello: Ansätze zu ihrem Verständnis 

Donna Agrell

Repertoire for a Swedish Bassoon Virtuoso. Approaching early nineteenth-century works composed for Frans Preumayr with an original Grenser & Wiesner bassoon

Inês D'Avena Braga

Dolce Napoli: approaches for performance. Recorders for the Neapolitan Baroque repertoire 1695-1759 

Itandehui Jansen

Finding One’s Own Voice as an Indigenous Filmmaker 

Ruchama Noorda 

℞eForm 

2014

Anıl Çamcı 

The cognitive continuum of electronic music

Miguelángel Clerc

(De)Composing Immersion 

Juan Parra

Mulitple Paths: Towards a Performance Practice in Computer Music

Anna Scott

Romanticizing Brahms : Early Recordings and the Reconstruction of Brahmsian Identity

Bárbara Varassi Pega

Creating and Re-creating Tangos: Artistic processes and innovations in Music by Pugliese, Salgán, Piazzolla and Beytelmann

2013

Mark van Tongeren

Thresholds of the audible: about the multiphony of the body 

Cathy van Eck

Between Air and Electricity - Microphones and loudspeakers as musical instruments 

Falk Hübner

Shifting Identities - The musician as theatrical performer 

Krien Clevis

Locvs : Memory and Transience in the Representation of Place. From Italic Domus to Artistic Environment


Marlon Titre

Thinking through the guitar: the sound-cell-texture chain 

2012

Annemarie Dragosits

Giovanni Girolamo Kapsperger (ca. 1581 – 1651): Betrachtungen zu seinem Leben und Umfeld, seiner Vokalmusik und seinem praktischen Material zum Basso continuo-Spiel 

Arne Deforce

LABORINTH Π – ‘472’ Meditations on the necessity of creative thinking and experimenting in the performance practice of complex music from 1962 - today

Juan Sebastian Llach Lau

Harmonic duality; From interval ratios and pitch distance to spectra and sensory dissonance

2011

Kathryn Cok

Basso continuo sources from the Dutch Republic c. 1620-c1790

Paul Craenen

Gecomponeerde uitvoerders : het musicerende lichaam vanuit compositorisch perspectief / Composing under the skin

Yolande Harris

Scorescapes : on sound, environment and sonic consciousness

2010

Stefan Belderbos

Van kunstwerk tot religieus ritueel : een onderzoek naar de integratie van performancekunst in de liturgie / From artwork to Rituals in Religion