CONCLUSION and FUTURE DEVELOPMENTS
Espelho meu is part of an artistic research and is intended to be the contribution of a performer, a researcher who is a participant and a native of its own research, in the exploration of creative tools within contemporary performing practices.
We consider that the contributions of a group of artists, performers, researchers or hybrid figures of such a qualitative or praxis research are of central importance in maintaining open the possibilities of the new, in the relationship with the world.
In this development, the contributions of the performers are fundamental in an approach in which the real experience comes from an experimentation that implies a doing.
This performance and article consubstantiate a spiral between reflection and artistic practice taking its humble role in the necessary process of constant revitalization and becoming of the contemporary artistic practices.
It sought to make the body and voice, the materials of performance, as a vehicle of an energy that goes beyond the muscles and physical limits of the body.
From this encounter, between physical movement and the perception of the immanence, results the performance that impacts the audience, the receiver.
This site-specific approach works also with time while problematizing its linearity and exploring other temporalities, detached from the chronos. Using technology, we approach a greater number of possibilities of exploration of this and other parameters such as the spatial projection of sound and the immersion of the public in a more active and present sound space.
