Contents

PART 1. DIGESTION: BREAKING DOWN METHODOLOGICAL INTROSPECTION

MULTIPLE KNOWLEDGES AND THE REDEFINITION OF THE SELF IN THE ENVIRONMENT 

Kat Austen

CHEWING THE CUD: CONVERSATION-AS-MATERIAL

Emma Cocker

FOUR APPROACHES TO THE JOURNAL

Luisa Greenfield, Camilla Graff Junior, Per Roar, Myna Trustram

MY PH.D. IS NONSENSE

Lynne Heller

ESSAYING ART: AN UNMETHODOLOGICAL METHOD FOR ARTISTIC RESEARCH

Emily Huurdeman

ART FIRST, RESEARCH AFTER

María-Isabel Moreno-Montoro, María Martínez-Morales and Martha-Patricia

Espíritu-Zavalza

SYMBIOSIS: ORGANISATION AND MUTUAL EXPLOITATION IN INTERDISCIPLINARY COLLABORATION

Manoli Moriaty

THE VICIOUS CYCLE OF ART. CREATIVE PROCESS WITHIN ACADEMY,

SOCIAL CRISIS, AND CONTRADICTIONS IN THE MEXICAN CONTEXT

Giovanna Castillejos Saucedo, Nizaí González Machado 

THE (CAKE) STALL OF ALTERNATIVE THOUGHTS

Monica Shanta Brown 

PANEL: CRITICAL DIGESTION, ESTRANGEMENT AND CRITIQUE: 

WAYS OF REGENERATION FOR ARTISTIC RESEARCH 

SELF-DIGESTION ANIMATES ARTISTIC RESEARCH. DIALOGUE AS AESTHETIC PRACTICE

Nicolaj van der Meulen, Jörg Wiesel

HOW TO BECOME STRANGE. BETWEEN AESTHETIC EDUCATION AND AESTHETIC RESEARCH

Silvia Henke

VERACITY IN VORACITY: ON THE FUNCTION OF ESSAYISTIC PRACTICES IN ARTISTIC RESEARCH

Aurel Sieber

ARTISTIC RESEARCH WILL EAT ITSELF: EATING ONESELF REQUIRES ACROBATICS

Henryetta Duerschlag

PART 2. REGENERATION: ARTISTIC RESEARCH AS A PROCESS OF BECOMING

THE KISS– UTTERANCE SURROUNDING THE UTTERANCE WITHIN

Venke Aure and Mimesis Heidi Dahlsveen.

TRANS: A HISTORY OF FAT

Julie Louise Bacon

EXTISPICY IN THE EVERYDAY: AN EXPLORATION OF HUMAN-ENVIRONMENT BINARIES THROUGH THE GUT

Amanda Couch

A PLACE OF GLOOP AS A SPACE FOR BECOMING…

Fo Hamblin

HETEROTOPIAS— OPTICAL MASTICATION AND SPACIAL RECONFIGURATION

Noa Kaplan and Szilvia Ruszev

APPROACHING THE MATERIAL-DISCURSIVE VORTEX

Roman Kirschner

MONSTROUS AGENCIES

Karolina Kucia

WHAT IS ARTISTIC RESEARCH BECOMING THROUGH AUTOMORPHOGENESIS?

Christiane Kues

FOLLOWING COTTON FABRIC, OIL PAINT AND PLASTIC BAGS

Macarena Rioseco

DIGESTION AND REGURGITATION: METHODS OF CONTESTATION IN ARTISTIC RESEARCH

Spencer Roberts

PERFORMANCE: VOCABLE CODE

Winnie Soon & Geoff Cox

UTTER DISGUST AS AUTOETHNOGRAPHIC METHOD

Stahl Stenslie

PERCEPTION CRISIS MACHINE CONGLOMERATE: A FAST ENTRY INTO THE METHODOLOGY OF SYNSMASKINEN

Michelle Teran & Frans Jacobi

THE BODY TURNED INSIDE–OUT, UPSIDE–DOWN AND BACK TO FRONT. USING THE BODY AS A SITE OF DISCUSSION TO EXAMINE WHAT IS LEFT AFTER aRTISTIC RESEARCH HAS EATEN ITSELF

Anna Walker

IMMIGRATE INTO YOUR SHADOWS (OR THE BORDER WILL EAT US)

Khadija von Zinnenburg Carroll 

PART 3. REGURGITATION: REFLEXIVITY AND REPETITION IN ARTISTIC PRACTICE

REGURGITATED PERSPECTIVES– PERFORMANCE

Annette Arlander, Hanna Järvinen, Tero Nauha and Pilvi Porkola

BECOMING IMPERFECT: A RECIPE FOR MAKING A COLLECTIVE FILM IN TWENTY MINUTES

Allister Gall

VENTRILOQUISTS III

Philippine Hoegen

TASTE SPIT SWALLOW

Christina Jauernik, Esther Balfe, Christian Freude, Ludwig Löckinger

RECURSIVITY AS RADICAL SELF-REFERENTIALITY: VIDEO REMIXING AS (SELF)DESTRUCTION AND (SELF)REGENERATION

Virginia Kuhn

RECEIVING QUEERLY DISPLACED UTTERANCE: FAILURE AND/AS RESPONSE IN WORKS BY GLENN LIGON AND LOW PROFILE 

Mark Leahy 

EXTRA-TERRESTRIAL ECOLOGIES: THE ASTRONAUT, THE ROBOT, THE ALIEN AS RETROFLECTORS

Ralo Mayer

IN DEFENCE OF STUPIDITY

Elfie Miklautz

MY MOTHERS DANCING ON MY TONGUE

Stephanie Misa

FROM VOICE-OF-GOD TO RINGMASTER: LIVE PARTICIPATORY DOCUMENTARY AND THE IMPERATIVE TO CREATE REFLEXIVE, COLLABORATIVE, MULTIPERSPECTIVAL HISTORIES

Kim Nelson

MANIFESTO FOR THE MULTIVOCAL VOICE: PRINCIPLES FOR A PERFORMANCE VOICE IN THE VOCAL ARTS (ABRIDGED VERSION)

Alex Nowitz

FLAVOURS AND FLAVOURINGS: TOWARDS A TYPOLOGY OF ARTISTIC RESEARCH IN MUSIC

Deniz Peters

WHAT REMAINS? – A REVERSE-COOKING EXERCISE

Anna Romanenko, Matteo Locci, Thomas Guillot et al.

RADICALLY EMANCIPATED: OR “I HAVE STOLEN FOR THE LOVE OF ART”

Mireia c. Saladrigues

IT REPEATS ON YOU

Sarah Scarsbrook