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I am using the printmaking and drawing artist way of thinking as a method of creating artistic research. Thinking in layers becomes a way of creating both: the artefacts and writing. The emphasis of the artistic research is divided in two extending and overlapping categories: first, conceptually worlding the post-capitalist landscapes – this becomes the study-case of the second and most imporant focus: the innovation of formal indermedial method when creating hybrid art.
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The aim of this artistic research is a greater valuation of the knowledgement in and beyond printmaking and drawing.
Via my artistic exploration on the dystopic urban landscape, I claim for a different way of seeing and experiencing the contemporary.
My new practice becomes an intermedial of printmaking and extended drawing methods, bringing these media out to the light. Hybrid printmaking and drawing art needs to be seen as a tool for thinking and worlding.
