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contents
- Home Page
- About for-Wards
- Background
- Overall Methodological Approach
- Curating a Hyperlocal Compositional Methodology
- Cultural Democracy
- Ethical Considerations
- Case Study: Selly Oak District Hyperlocal Composition
- Conclusions: Learning from for-Wards
- Project Partners
- Bibliography
- for-Wards Citywide Film
- List of for-Wards Collaborative Works
- The 10 for-Wards Performances
- Images of the for-Wards Composers
- Musically Mapping Birmingham
- Bobbie-Jane Gardner
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navigation
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abstract
In this exposition, I present the curatorial methods I devised to create a hyperlocal compositional methodology used in the research project, for-Wards. for-Wards is a two-year citywide music programme involving a large-scale artistic partnership to co-create new music within and about forty Birmingham wards. The curated hyperlocal methodological framework I constructed was used to support the creation of hyperlocal musical works. I use the term ‘hyperlocal’ which is borrowed from the realm of citizen journalism. It infers community-produced news that is extremely localised. Hyperlocal is concerned with events and stories within a specific geographic community (Radcliffe 2012).
- Bobbie-Jane Gardner - for-Wards: Curating a Hyperlocal Compositional Methodological Framework - 2020
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