Noise Design

acousmatic conditions
acousmatic perception
figurative and non-figurative acousmatic condition
metabolic environment
figure-ground
metabolic environment
urban acoustic space as a collective space
place of sociability
sound identity
cutting effect
subjective perspective
objective perspective
acousmatic modelling

Before Sound

the phenomenological site
the social or institutional site
the discursive site
transversal processes
spatialization
localization
movement
embodied and spatial listening
affective lines
assamblage
the machinic
territorialization
deterritorialization
reterritorialization
mapping the affective lines
establishing new connections
becoming non-autonomous

Phenomenology of sound

The phenomenolgy of space and its production through sonic interplay draws out of Merleau-Ponty's original thoughts about percpetionand how the "ambiguous, the shifting" nature of reality is "shaped by its context". (LaBelle p. 174)

• Every object is perceived as an object only in a context, which includes it.
• Every structure is perceived only as a structure of objects which composes it.

• Every object of perception is at the same time an OBJECT in so far as it is perceived as a unit locatable in a context, and a STRUCTURE in so far as it is itself composed of several objects (Michel Chion, Guide de Traitement des objet musicaux1983, p. 56).

Pierre Schaeffer calls this relationship object-structure chain, and may either go towards the infinitesimal, or inversely, towards the infinitely big.

Web resources

https://bandcamp.com/tag/site-specific

https://vincenthouze.com

http://sonology.org/current-masters-research-projects/

https://www.ctm-festival.de/

https://www.stolpersteine-berlin.de

https://llllllll.co/t/experimental-music-notation-resources/149/7

Recorded music re-played in a public space, creating new context

Brian Eno 1977, Music for Airports

Playing fixed found objects in public space

Koka Nikoladze, 2015: Sound stencil: https://vimeo.com/140118626