Topographies of the Obsolete is proud to invite you to a full day symposium at the Ashmolean Museum on Saturday 7th of November 2015!
In ‘The Natural History of Staffordshire’, Dr Robert Plot, the first keeper of the Ashmolean Museum describes an early account of the county’s pre-industrial pottery manufacturing during the late 17th century. Apart from documenting potters’ practices and processes, Plot details the region’s natural clays that were once fundamental to its rise as a world renowned industrial centre for ceramics. Yet in recent decades, the factories and communities of labour that historically developed around these natural resources have been subject to dramatic downturn. Global economics have resulted in much of the region’s ceramic industry outsourcing to low-cost overseas production.
Today, despite ongoing attempts to regenerate the city of Stoke-on-Trent, the economic fallout and human cost of the decline of traditional industry remain omnipresent throughout the six towns. Plot’s pre-industrial mapping of North Staffordshire in the 1680’s, has been echoed through the artistic research project Topographies of the Obsolete*, which has recently surveyed the region’s post-industrial landscape through a range of multi-media responses primarily centred around the former Spode factory site. Through various phases of on-site practice-led investigation, interconnected strands of discourse emerged that examine the socio-economic impact of globalization upon community and place, the contemporary ruin, and the artist as post-industrial archivist/archaeologist.
Topographies of the Obsolete frames a particular point in time through which artists have opened up a different perspective to the complexities of socio–economic decline addressed by politicians, economists, historians and ex-employees. It documents both the aftermath of the Spode factory closure and the repurposing of its post-industrial fabric through processes of culture-led regeneration.
This one-day symposium will reflect upon this recent history. The topics uncovered through Topographies of the Obsolete will be expanded upon by a panel of experts previously unconnected to the project, from the fields of art and design, anthropology, urban sociology, critical theory and cultural geography. It will offer a broad range of inter-disciplinary perspectives surrounding the effects of de-industrialisation upon communities and landscapes, and the urban renewal of such cities through art and culture-led strategies.
*Topographies of the Obsolete is an international artistic research project initiated by Bergen Academy of Art and Design that explores the post-industrial landscape and its associated socio-economic histories, industrial architecture, production remnants through a range of interdisciplinary artistic practice. The project primarily explores how ceramic and clay can be understood as both material and subject in contemporary art practice.
Website:
The symposia ‘Topographies of the Obsolete’ is organized by Bucks New University and Bergen Academy of Art and Design in collaboration with the Ashmolean Museum of Art and Archaeology, and in association with the British Ceramics Biennial and The Clay Foundation.
Ticket £45concs/£25students. Tea/coffee provided. Lunch not included. Details of local eateries available on the day.
Online: www.oxfordplayhouse.com/ticketsoxford
By phone: (0044) 01865 305305
In person: Oxford Playhouse Box Office
Please note that registration will take place at 10.00am, so please arrive early. The conference will start promptly at 10.30am
10.00 – 10.30am Registration & refreshments
10.30 – 10.40am Welcome
Dr. Jon Whitely
Department of Western Art, Ashmolean Museum of Art and Archaeology,
University of Oxford
10.40 – 11.10am Topographies of the Obsolete Introduction:
The Post- Industrial Landscape as a Site for Creative Practice
Dr Neil Brownsword and Professor Anne Helen Mydland
Bucks New University/Bergen Academy of Art and Design
http://bucks.ac.uk/whoswho/profile/neil_brownsword
http://www.khib.no/norsk/om-khib/ansatte/faglig-ansatte-ved-avdeling-for-kunst/anne-helen-mydland/
11.10 – 11.50am Key Note: Post-Industrial Ceramics Heritage: Jingdezhen, Stoke-on-Trent, and Beyond
Professor Maris Boyd Gillette
Professor of Museum Studies and Community History, Director of the Museum Studies
University of Missouri, St. Louis
http://www.umsl.edu/divisions/artscience/anthro/list/gillette.html
11.50 - 12.30 Industrial Ruination and Shared Experiences: Narratives of Exceptionalism
Dr. Alice Mah
Associate Professor of Sociology
University of Warwick
http://www2.warwick.ac.uk/fac/soc/sociology/staff/academicstaff/alice_mah/
12.30-1.30pm Lunch
1.30 - 2.10pm Ruins are Everywhere
Dr. Tim Edensor
Reader in Cultural Geography
Manchester Metropolitan University
http://www.sste.mmu.ac.uk/staff/staffbiog/default.asp?StaffID=356
2.10 – 2.50pm Archiving Post-Industrial Heritage
Professor Jake Kaner
Furniture
Bucks New University
http://bucks.ac.uk/whoswho/profile/jake_kane
2.50 – 3.20pm Coffee/tea
3.20 – 4.00pm Topographies of Culture and Regeneration
Professor Malcolm Miles
Cultural Theory in the Architecture School
University of Plymouth
http://www.malcolmmiles.org.uk
4.00 – 4.25pm Plenary
Led by Professor Juliet Simpson
Professor of Art History, Chair of Visual Arts Research
Coventry University
http://www.coventry.ac.uk/research/research-directories/researchers/professor-juliet-simpson/
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4.30pm |
Symposia close |
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