lecturer I researcher I media & sound artist I media technologist (VR/AR/XR)


studied piano at the Royal Academy of Music in London and initially pursued a classical concert career. Since the end of the 1990s, he has been developing projects at the intersection of music, sound and media art, as well as in the field of music informatics. Since 2014 Iber has been responsible for the master class audio design at the Department of Media Technology at St. Pölten University of Applied Sciences.

Michael has a broad knowledge of spatialization in music through his working experience in this field for over 20 years.


Michael Iber

1. Jens Blauert (2005) Communication Acoustics. Heidelberg & Berlin: Springer Verlag

2. Franz Zotter and Matthias Frank (2019) Ambisonics: A Practical 3D Audio Theory for Recording, Studio Production, Sound Reinforcement, and Virtual Reality. Heidelberg & Berlin: Sringer Verlag

3. Texts by Karlheinz Stockhausen

4. and many many more