1. Photo credit: Brona Martin

1. Barry Blesser and  Linda-Ruth Salter (2009) Spaces speak, Are you listening?: experiencing aural architecture. Cambridge, Massachusetts: MIT press

2. Brandon LaBelle (2010) Acoustic Territories: Sound Culture and Everyday Life. London & New York: Continuum

3. Natasha Barrett (2002) Spatio-musical composition strategies. Organised Sound, vol. 7, issue 3, pp.313-323. DOI: 10.1017/S1355771802003114 

4. Barry Truax (2000) Acoustic Communication. Westport, Connecticut: Praeger Publishers Inc; 2nd Edition 

BRONA MARTIN, United Kingdom

musician I sound artist I composer


is a research associate of the project "A Sonic Palimpsest: Revisiting Chatham Historic Dockyard" at the University of Kent as well as a member of the Sound Image Research Group at the University of Greenwich, London.

Currently, she is exploring the potential of Unity Game Engine and Wwise to create immersive 3D installations and VR interactive experiences.

In December 2021 she received the Arts Council Funding to create a new audio/visual using the IKOsaeder loudspeaker and Unity Game Engine.