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CREDITS AND REFERENCES


1. Photo credit: Johannes Scherzer



1. Albert S. Bregman (2005) Auditory Scene Analysis and the Role of Phenomenology in Experimental Psychology. Canadian Psychology, vol. 46, issue 1, pp. 32–40

2. Richard Koeck (2013) Cine-scapes: Cinematic spaces in architecture and cities. London & New York: Routledge

3. Martina Löw (2016) The Sociology of Space: Materiality, Social Structures, and Action. New York: Palgrave Macmillan. https://doi.org/10.1057/978-1-349-69568-3

4. Ella Parry-Davies (2014). Storied Space: Epistemology and Place in the Performance Museum. Platform (17510171), vol. 8, issue 1, pp. 15–28.

5. Susanne Rau (2017). Räume: Konzepte, Wahrnehmungen, Nutzungen. Frankfurt & New York: Campus Verlag; 2nd Edition

JOHANNES SCHERZER, Germany

experience designer I lecturer I researcher I media theorist

www.johannes-scherzer.de



Johannes' work as a sound scenographer is about auditory communication in staged spaces (artificial environments), and spatial aesthetics are a fundamental subject in the design of staged spaces.