Bachelard, Gaston (1957). The Poetics of Space (trans. Maria Jolas). Boston: Beacon Press. 


Berman, Jessica (2004). “Ethical Folds – Ethics, Aesthetics, Woolf.” MFS Modern Fiction Studies 50/1: 151-172 


Butler, Judith (2001). “Giving an Account of Oneself.” Diacritics 31/4: 22-40.  


Cuddy-Keane, Melba (2013). “Virginia Woolf, Sound Technologies and the New Aurality.” In Pamela L. Caughie (ed.), Virginia Woolf in the Age of Mechanical Reproduction (pp. 69-96). London: Routledge. 


Deleuze, Gilles (1993). The Fold: Leibniz and the Baroque (trans. Peter Conley). Minneapolis: University of Minnesota Press. 


Deleuze, Gilles and Jonathan Strauss (1991). “The Fold.” Yale French Studies: Baroque   Topographies: Literature/History/Philosophy 80: 227-247. 


Flint, Kate (2003). “Sounds of the City: Virginia Woolf and Modern Noise.” In Helen Small and Trudi Tate (eds.), Literature, Science, Psychoanalysis, 1830-1970: Essays in Honour of Gillian Beer (pp. 181-194). Oxford: Oxford University Press.


Freud, Sigmund (1919). “Das Unheimliche.” In Alexander Mitscherlich, Angela Richards and James Strachey (eds.), Psychologische Schriften – Studienausgabe Band IV (pp. 241-274). Third edition. Frankfurt am Main: Fischer. 


Högberg, Elsa (2013). “Voices against Violence: Virginia Woolf and Judith Butler.” Le Tour Critique 2: 425-447. 


Irigaray, Luce (2001). “The Fecundity of the Caress: A Reading of Levinas, Totality and Infinity, ‘Phenomenology of Eros’.” In Tina Chanter (ed.), Feminist Interpretations of Emmanuel Levinas (pp. 119-144). University Park: Pennsylvania State University Press.


LaBelle, Brandon (2010). Acoustic Territories. London: Bloomsbury Academic.


Lackey, Michael (2006). “Anti-Philosophicalism and Virginia Woolf’s Critique of Philosophy.”  Journal of Modern Literature 29/4: 76-98. 


Levinas, Emmanuel (1961). Totality and Infinity – An Essay on Exteriority (trans. Alphonso Lingis). Fourth edition. London: Martinus Nijhoff Publishers. 


Mouffe, Chantal (2007). “Artistic Activism and Agonistic Spaces.” Art and Research 1/2.


Nancy, Jean-Luc (2002). Listening (trans. Charlotte Mandell). New York: Fordham University Press.


Nancy, Jean-Luc (2000). Being Singular Plural (trans. Robert D. Richardson and Anne E. O’Byrne). Stanford: Stanford UP. 


Pridmore-Brown, Michele (1998). “1939-40: Of Virginia Woolf, Gramophones, and Fascism.” PMLA 113/3: 408-421.  


Rothman, Joshua (2014). “Virginia Woolf’s Idea of Privacy.“ The New Yorker, July 9, 2014. 


Slutzky Zucker, Marilyn (2007). “Virginia Woolf's Uncertainty Principle of Language.” In Maria Cândida Zamith and Luísa Flora (eds.), Virginia Woolf Three Centenary Celebrations (pp. 145-154). Porto: Universidade do Porto. 


Solnit, Rebecca (2001). Wanderlust. London: Granta Books. 


Solnit, Rebecca (2014). “Woolf’s Darkness: Embracing the Inexplicable.” Men Explain Things to Me (pp. 85-108). London: Granta Books. 


Tonkiss, Fran (2003). “Aural Postcards – Sound, Memory and the City.” In Michael Bull and Les Back (eds.), The Auditory Culture Reader (pp. 303-309). Oxford: Berg. 


Toop, David (2010). Sinister Resonance – The Mediumship of the Listener. London: Continuum. 


Trabant, Jürgen (2012). “Der akroamatische Leibniz – Hören und Konspirieren.” In Holger Schulze (ed.), Gespür – Empfindung – Kleine Wahrnehmungen (pp. 121-132). Bielefeld: Transcript. 

Woolf, Virginia (1925). Mrs. Dalloway. Thirty-ninth edition. Ed. Stella McNichol. London: Penguin Modern Classics. 


Woolf, Virginia (1927). To the Lighthouse. Twenty-first edition. Ed. Stella McNichol. London: Penguin Modern Classics. 


Woolf, Virginia (1928). Orlando. Oxford: Oxford University Press. 


Woolf, Virginia (1929). A Room of One’s Own. Twentieth edition. London: Penguin. 


Woolf, Virginia (2008). “Character in Fiction.” In David Bradshaw (ed.), Selected Essays (pp. 37-54). Oxford: Oxford University Press. 


Woolf, Virginia (2008). “Craftsmanship.” In David Bradshaw (ed.), Selected Essays (pp. 85-91). Oxford: Oxford University Press.


Woolf, Virginia (2008). “Modern Fiction.” In David Bradshaw (ed.), Selected Essays (pp. 6-12). Oxford: Oxford University Press.