REFERENCES


Alla, Thierry. 2008. Tristan Murail, la couleur sonore (Paris: Maule)

Andia, Rafael. 1984. ‘Interview de Tristan Murail’, Cahiers de la Guitare, 12

—— 1984. ‘Tellur, une Analyse’, Cahiers de la Guitare, 12

Baillet, Jerome. 2002. ‘L’Esthetique Musicale de Tristan Murail’, in Tristan Murail, ed. by Peter Sxendy (Paris: l’Harmattan), pp. 7–27

Berio, Luciano. 1985.Two Interviews with Rossana Dalmonte and Bálint András Varga, trans. by David Osmond-Smith (New York: Marion Boyars Publishers)

Berry, Wallace. 1989. Musical Structure and Performance (New Haven: Yale University Press, 1989)

Bowen, Jeffrey. 2010. ‘Tristan Murail’s Tellur: A Piece of Spectral Music and an Exploration of Compositional Possibilities for the Classical Guitar’, Nota Bene: Canadian Undergraduate Journal of Musicology, 3, 1: 72–92

Chion, Michel. 2009. Guide to Sound Objects, trans. by John Dack and Christine North (London: Unpublished)

Cone, Edward T. 1968. Musical Form and Musical Performance (New York: W. W. Norton)

Cook, Nicholas. 1999. ‘Words about Music, or Analysis Versus Performance’, in Theory into Practice: Composition, Performance and the Listening Experience (Leuven: Leuven University Press), pp. 9­–52

—— 2001. “Between Process and Product: Music and/as Performance”, Music Theory Online, 7, 2

Dunsby, Jonathan. 1995. Performing Music: Shared Concerns (New York: Oxford University Press)

Fineberg, Joshua. 2000. ‘Guide to the Basic Concepts and Techniques of Spectral Music’, Contemporary Music Review, 19, 2: 81–113

Foucault, Michel. 1986. ‘Of Other Spaces’, trans. By Jay Miskowiec, Diacritics, 16, 1: 22–27.

—— 1998. ‘What is an Author?’, in Aesthetics, Method, and EpistemologyEssential Works of Foucault, 1954–1984, vol. 2, ed. by James D. Faubion, trans. by Robert Hurley et al. (New York: The New Press), pp. 205–222.

—— 2002. The Order of Things, 2nd ed. (London and New York: Routledge) 

Garant, Dominic. 2011. Tristan Murail: Les Objets sonores complexes, Analyse de L’Esprit des Dunes (Paris: l’Harmattan) 

Gilardino, Angelo. 2002. ‘Foreword’, in Suite Compostelana para guitarra by Federico Mompou, critical ed. (Bèrben)

Goehr, Lydia. 1992. The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (Oxford: Clarendon Press)

Heidegger, Martin. 2001. Being and Time, trans. by Macquerie and Robinson (Oxford: Blackwell)

Husserl, Edmund. 1973. Experience and Judgment, trans. by James S. Churchill and Karl Aneriles (Chicago : Northwestern University Press)

—— 2012. Ideas, trans. by W. R. Boyce Gibson (Abingdon, UK: Routledge Classics)

Kane, Brian. 2007. ‘L’Objet Sonore Maintenant: Pierre Schaeffer, sound objects and the phenomenological reduction’, Organised Sound, 12, 1: 15–24 

Murail, Tristan. 1978. Tellur (Paris: Éditions Musicales Transatlantiques)

—— 2000. ‘After-thoughts’, Contemporary Music Review, 19: 5–9

—— 2005a. ‘Target Practice’, Contemporary Music Review, 24: 149–171

—— 2005b. ‘The Revolution of Complex Sounds’, Contemporary Music Review, 24: 121–135

—— 2005c. ‘Spectra and Sprites’, Contemporary Music Review, 24: 137–147

—— 2005d. ‘Villeneuve-lès-Avignon Conferences, Centre Acanthes, 9–11 and 13 July 1992’, Contemporary Music Review 24: 187–267

–—– 2005e.‘Scelsi, De-composer’, Contemporary Music Review, 24: 173–180

Navon, Joshua. 2020. ‘Pedagogies of Performance: The Leipzig Conservatory and the Production of Werktreue’, The Journal of Musicology, 37: 63–90.

Nonken, Marilyn. 2014. The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age (Cambridge University Press)

Orning, Tanja. 2017. ‘Music as Performance—Gestures, Sound and Energy. A discussion of the pluralism of research methods in performance studies’, Journal for Research in Arts and Sports Education, 1: 79–94

Österjö, Stefan. 2008. ‘SHUT UP ‘N PLAY: Negotiating the Musical Work’ (unpublished doctoral dissertation, Lund University)

Palladino, Mariangela, and John Miller. 2016. The Globalization of Space (London and New York: Routledge)

Rink, John. 2018. ‘The Work of the Performer’, in Virtual Works – Actual Things: Essays in Music Ontology, ed. by Paulo de Assis (Leuven: Leuven University Press), pp. 89–114. 

Schaeffer, Pierre. 1966. Le Traité des Objets Musicaux (Paris: Éditions Seuil)

—— 1998. Solfège de l’Objet Sonore (Paris INA-GRM INA C 2010/12), CD 2.

Stragier, Maarten. 2016. Tearing at the Atom: A Closer Look at Murail’s Musical Object and its Relation to Continuous Process (unpublished doctoral dissertation, New England Conservatory of Music)

Whittall, Arnold. 2017. ‘Composer-Performer Collaborations in the long Twentieth Century’, in Distributed Creativity: Collaboration and Improvisation in Contemporary Music, ed. by Eric F. Clarke and Mark Doffman (Oxford and New York: Oxford University Press)

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