References


 

Akiyama, Mitchell (2015). “The Phonographic Memory: A History of Sound Recording in the Field” (Doctoral Dissertation). Montreal: McGill University.  

 

Anon (1966). “Apartment Residents Learn Fast About Sound Control,” Oakland Tribune, September 11, C19.

 

Anon (1965). “Noise Complaints Growing.” Fort Lauderdale News, July 3, C15.

 

Bate, Matthew (Director). (2011). Shut Up Little Man! An Audio Misadventure [DVD].  USA: Tribeca Film.

 

Bijsterveld, Karin (2008). Mechanical Sound: Technology, Culture, and Public Problems of Noise in The Twentieth Century. Cambridge: MIT Press.

 

Bijsterveld, Karin and Annelies Jacobs (2009). “Storing Sound Souvenirs: The Multi-Sited Domestication of the Tape Recorder.” In Karin Bijsterveld and José van Dijck (eds.), Sound Souvenirs: Audio Technologies, Memory and Cultural Practices (pp. 25–42). Amsterdam: Amsterdam University Press.

 

Bolter, Jay David and Richard Grusin (2000). Remediation: Understanding New Media. Cambridge: MIT Press.

 

Brady, Erika (1999). A Spiral Way: How the Phonograph Changed Ethnography. Jackson: University Press of Mississippi. 

 

Cusick, Suzanne G. (2013). “Towards an Acoustemology of Detention in the ‘Global War on Terror.’” In Georgina Born (ed.), Music, Sound and Space: Transformations of Public and Private Experience (pp. 275–91). Cambridge: Cambridge University Press.

 

Freud, Sigmund (2003). The Uncanny (trans. David McLintock). New York: Penguin Books.

 

Freund, David (2014). Colored Property: State Policy and White Racial Politics in Suburban America. Chicago: University of Chicago Press.

 

Gitelman, Lisa (1997). “Reading Music, Reading Records, Reading Race: Musical Copyright and the U.S. Copyright Act of 1909.” The Musical Quarterly 81/2: 265–90. 

 

Goffman, Erving (1974). Frame Analysis: An Essay on the Organization of Experience. Cambridge: Harvard University Press.

 

Goffman, Erving (1981). Forms of Talk. Philadelphia: University of Pennsylvania Press. 

 

Gunaratnam, Yasmin (2009). “Auditory Space, Ethics and Hospitality: ‘Noise’, Alterity and Care at the End of Life.” Body & Society 15/4: 1–19. 

 

Hagood, Mack (2019). Hush: Media and Sonic Self-Control. Durham: Duke University Press.

 

Ingram, David (2006). “A Balance That You Can Hear: Deep Ecology, Serious Listening and the Soundscape Recordings of David Dunn.” European Journal of American Culture 25/2: 123–38. 

 

Lacey, Kate (2013). Listening Publics: The Politics and Experience of Listening in the Media Age. Cambridge: Polity Press.

 

Lipsitz, George (2011). How Racism Takes Place. Philadelphia: Temple University Press.

 

Manuel, Peter (1993). Cassette Culture: Popular Music and Technology in North India. Chicago: University of Chicago Press.

 

Millard, Andre (2005). America on Record: A History of Recorded Sound. Cambridge should this be New York?: Cambridge University Press. 

 

Mullen, Patrick B. (2008). The Man Who Adores the Negro: Race and American Folklore. Urbana: University of Illinois Press.

 

Peter and Raymond (1993). Shut Up Little Man [CD]. Ectoplasm. 

 

 

Peter and Raymond (2008). Shut Up Little Man – The Complete Recordings – All 7 Volumes [CD].

 

Petersen, Sandra Lori (2019). “Noises from Others and the Sound of the City: Moralities of Urban Soundscapes in the Private Home.” Paper presented at the Inter-Noise Conference, Madrid.

 

Picker, John M. (2003). Victorian Soundscapes. New York: Oxford University Press. 

 

Rony, Fatimah Tobing (1996). The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham: Duke University Press.

 

Sausage, Eddie Lee (1993). “Original CD Liner Notes.”

——— “Peter ‘Lady’ Haskett, Interviewed by Eddie Lee Sausage and Mitchell D.” 

——— (2003). “Eddie Lee Sausage, interviewed by Fish Taco Magazine.”

——— “Hatemail from the Obsessed. Shut Up, Little Man!”

——— (2008). “You Try, You Try.”

——— “Peter Haskett, Interviewed by the San Francisco Police Department.”

——— “Shut Up Little Man Merchandise.”

——— “Shut Up, Little Man! The Audio Misadventures of Peter and Raymond.” 

 

Schulze, Holger (2018). The Sonic Persona: An Anthropology of Sound. New York: Bloomsbury Academic.

 

Smith, Jacob (2008). Vocal Tracks: Performance and Sound Media. Berkeley: University of California Press. 

 

Smith, Jacob (2016a). “Over-Hearing: Techniques of Popular Listening.” In Jens Gerrit Papenburg and Holger Schulze (eds.), Sound as Popular Culture: A Research Companion (pp. 225–32). Cambridge: MIT Press. 

 

Smith, Jacob (2016b). “The Chance Meeting of a Goose and a Plover on a Turntable: Chris Watson’s Wildlife Sound Recordings.” Sound Studies 2/2: 151–64. 

 

Sreberny-Mohammadi, Annabelle and Ali Mohammadi (1994). Small Media, Big Revolution: Communication, Culture, and the Iranian Revolution. Minneapolis: University of Minnesota Press. 

 

Sterne, Jonathan (2003). The Audible Past: Cultural Origins of Sound Reproduction. Durham: Duke University Press.

 

Thompson, Emily (2003). The Soundscape of Modernity: Architectural Acoustics and the Culture of Listening in America, 1900-1933. Cambridge: MIT Press. 

 

Vidler, Anthony (1992). The Architectural Uncanny: Essays in the Modern Unhomely. Cambridge: MIT Press.

 

The Wipeouters (2001). “Shut Up, Little Man!” P’Twaaang!!! [CD]. Casual Tonalities.