Bibliography

 

Nicholas Cook “Between Process and Product: Music and/as Performance” Society of Music Theory, Volume 7/Number 2. (2001).

Winton Dean: Handel’s dramatic oratorios and masques (Oxford: Oxford University Press, 1990).

Winton Dean: Handel’s operas 1726-1741 (Oxford: Oxford University Press, 2006).

Winton Dean and John Merrill Knapp: Handel’s operas 1704-1726 (Oxford: Oxford University Press, 1987).

Heiner Goebbels “Aesthetics of Absence: Questioning Basic Assumptions in Performing Arts” (Cornell Lecture on Contemporary Aesthetics, Cornell University, March 9th 2010).

RoseLee Goldberg: Performance art from futurism to the present (London: Thames and Hudson, World of Art series, 1988, originally published in large format as Performance: Live art 1909 to the present, 1979).

Andrew V. Jones “Staging a Handel opera” Early Music, vol. 34 (2006), pp. 277-287.

Sarah McCleave: Dance in Handel’s London Operas (668 Mt. Hope Avenue, Rochester, NY USA: University of Rochester Press, 2013).

Marita P McClymonds and Daniel Heartz. "Opera seria." Grove Music Online. 2001. (Accessed 9 Nov. 2021) https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000020385

Meredith Monk, Biography (Meredith Monk/The House Foundation for the Arts). Accessed 6 February 2022. https://www.meredithmonk.org/about/biography/

Anne MacNeil, "Commedia dell’arte." Grove Music Online, 2001; Accessed 4 Feb. 2022. https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000006188

Nina Penner: Storytelling in Opera and Musical Theatre (Bloomington, Indiana: Indiana University Press, 2020).

Jack Westrup "Da capo." Grove Music Online. 2001; (Accessed 10 Nov. 2021) https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000007043