Works Cited


Pamela L. Alreck and Robert B. Settle, The Survey Research Handbook (Boston: Irwin McGraw-Hill, 1995)


Eugenio Barba and Nicola Savarese, A Dictionary of Theatre Anthropology (London: Routledge, 2005)


The Category of the Person, ed. by Michael Carrithers, Steven Collins and Steven Lukes (London: Cambridge University Press, 1985)


Actors on Acting, ed. by Toby Cole and Helen Krich Chinoy (New York: Three rivers press, 1949)


Denis Diderot, The Paradox of Acting (New York: Hill and Wang, 1957)


Paul Ekman and Wallace Friesen, Unmasking the Face (Englewood Cliffs: Prentice -Hall, 1975)


Eric Hetzler, ‘The Actor’s Experience: A Survey and Interviews of Actors Examining the Experience of Performing’ (doctoral thesis, University of Exeter, 2007)


Richard Hornby, The End of Acting (New York: Applause Books, 1992)


Elly Konijn, Acting Emotions, trans. Barbara Leach with David Chambers (Amsterdam: Amsterdam University Press, 2000)


On Acting: Interviews with Actors, ed. by Mary Luckhurst and Chloe Veltman (London: Faber and Faber, 2001)


A.N. Oppenheim, Questionnaire Design, Interviewing and Attitude Measurement (London: Continuum, 2003)


Joseph Roach, The Players Passion (Ann Arbor: University of Michigan Press, 1993)


Shelley Russell-Parks, A Phenomenological Analysis of the Actor’s Perceptions During the Creative Act. (Ann Arbor: University Microfilms International, 1989)


Patricia Salant and Don Dillman, How to Conduct Your Own Survey (New York: John Wiley & Sons, Inc., 1994)


Metta Spencer, Two Aspirins and a Comedy (Boulder: Paradigm Publishers, 2006)


Roxane Rix, ‘Alba Emoting: A Revolution in Emoting for the Actor’, in Performer Training: Developments Across Cultures ed. by Ian Watson (London: Routledge, 2001)


Philip Weissman, Creativity in the Theater: A Psychoanalytic Study (New York: Basic Books, Inc., 1965)


Carole Zucker, In the Company of Actors (London:A&C Black, 1999) 


The Survey of the Actor's Experience