Reference list
Bartenieff, I. (1980). with Lewis, D. Body movement: Coping with the environment.
Benade, A. H. (1990). Fundamentals of Musical Acoustics. Dover Publications.
Berio, L., Dalmonte, R., Bálint A. V. (1985). Two Interviews. Translated and edited by David Osmond-Smith. New York: Marion Boyars. ISBN 0-7145-2829-3.
Bernardet U, Fdili Alaoui S, Studd K, Bradley K, Pasquier P, et al. (2019) Assessing the reliability of the Laban Movement Analysis system. PLOS ONE 14(6): e0218179. https://doi.org/10.1371/journal.pone.0218179
Buchanan, H. J., & Hays, T. (2014). The influence of body mapping on student musician's performance experiences. International Journal of Education & the Arts, 15(Number 7). Retrieved [date] from http://www.ijea.org/v15n7/.
Burger, B., Saarikallio, S., Luck, G., Thompson, M. R., & Toiviainen, P. (2012). Relationships between perceived emotions in music and music-induced movement. Music Perception: An Interdisciplinary Journal, 30(5), 517-533.
Burger, B., Thompson, M. R., Saarikallio, S., Luck, G., & Toiviainen, P. (2013). On happy dance: Emotion recognition in dance movements. In The 3rd International Conference on Music & Emotion, Jyväskylä, Finland, June 11-15, 2013. University of Jyväskylä, Department of Music.
Camurri, A., Hashimoto, S., Ricchetti, M., Ricci, A., Suzuki, K., Trocca, R., & Volpe, G. (2000). EyesWeb: Toward Gesture and Affect Recognition in Interactive Dance and Music Systems. Computer Music Journal, 24(1), 57–69. https://doi.org/10.1162/014892600559182
Camurri, A.; Lagerlöf, I. & Volpe, G. (2003). Recognizing emotion from dance movement: Comparison of spectator recognition and automated techniques. Int. J. Hum.-Comput. Stud.. 59. 213-225. 10.1016/S1071-5819(03)00050-8.
Chan, J. C., Leung, H., Tang, J. K., & Komura, T. (2010). A virtual reality dance training system using motion capture technology. IEEE transactions on learning technologies, 4(2), 187-195.
Clifton, T. (1983). Music as Heard: A Study in Applied Phenomenology. New Haven and London: Yale University Press. ISBN 0-300-02091-0.
Bishop, L., & Goebl, W. (2017b). Music and movement: Musical instruments and performers. In R. Ashley & R. Timmers (Eds.). The Routledge companion to music cognition. New York, NY, USA: Routledge.
Dahl, S., & Friberg, A. (2007). Visual perception of expressiveness in musicians' body movements. Music Perception, 24(5), 433-454.
Dahl, S., Bevilacqua, F., Bresin, R., Clayton, M., Leante, L., Poggi, I., & Rasamimanana, N. (2010). Gestures in performance. In R. Godøy & M. Leman (Eds.), Musical gestures: Sound, movement, and meaning (pp. 36-68). London, United Kingdom: Routledge.
Davidson, J. W. (2007). Qualitative insights into the use of expressive body movement in solo piano performance: A case study approach. Psychology of Music, 35(3), 381-401.
Godøy, Rolf & Jensenius, Alexander. (2009). Body Movement in Music Information Retrieval. 45-50.
Davis, M. (1984). Nonverbal behavior and psychotherapy: Process research. Nonverbal behavior: Perspectives, applications, intercultural insights, 203, 228.
Eom, H. J., & Schutz, R. W. (1992). Transition play in team performance of volleyball: a log-linear analysis. Research quarterly for exercise and sport, 63(3), 261-269.
Goldin-Meadow, S. (2003). Hearing gesture: How our hands help us think. Belknap Press of Harvard University Press.
Hegarini, E., & Syakur, A. (2016, October). Indonesian traditional dance motion capture documentation. In 2016 2nd International Conference on Science and Technology-Computer (ICST) (pp. 108-111). IEEE.
Hughes, M., & Franks, I. M. (Eds.). (2004). Notational analysis of sport: Systems for better coaching and performance in sport. Psychology Press.
Køppe, Simo & Harder, Susanne & Vaever, Mette. (2008). Vitality affects. International Forum of Psychoanalysis, 17. 169-179. 10.1080/08037060701650453.
Laban, R. (1960). The mastery of movement. (L. Ullman. McDonald and Edwards).
Laban, R. (1963). Modern Educational Dance, 2nd ed. London: Macdonald and Evans.
Lamb, W., & Watson, E. M. (1979). Body code: The meaning in movement. Taylor & Francis.
Minafra, A. (2021) Exploring Gestures and Body Language in Professional Musicians During the Self-reflection Process on Technical Movement. In: Chernigovskaya T., Eismont P., Petrova T. (eds) Language, Music and Gesture: Informational Crossroads. Springer, Singapore. https://doi.org/10.1007/978-981-16-3742-1_11
Rucco, R., Liparoti, M. & Agosti, V. (2020). A new technical method to analyse the kinematics of the human movements and sports gesture. Journal of Physical Education and Sport, 20(4), 2360-2363.
Thompson, M. (2012). The application of motion capture to embodied music cognition research. Jyväskylä studies in humanities.
Stern, D.N. (1999). Vitality Contours: The Temporal Contour of Feelings as a Basic Unit for
Constructing the Infant’s Social Experience. In P. Rochat (Ed.), Early social cognition: understanding others in the first months of life (pp. 67–80). Mahwah, N.J: Lawrence Erlbaum Associates.
Thompson, M. R., & Luck, G. (2012). Exploring relationships between pianists’ body movements, their expressive intentions, and structural elements of the music. Musicae Scientiae, 16(1), 19-40.
Van Dyck, E., Maes, P. J., Hargreaves, J., Lesaffre, M., & Leman, M. (2013). Expressing induced emotions through free dance movement. Journal of Nonverbal Behavior, 37(3), 175-190.
Vanmaele, J. (2017). The informed performer: towards a bio-culturally informed performers’ practice. Doctoral thesis, Leiden University.
Zentner, M., Grandjean, D., & Scherer (2008). Emotions evoked by the sound of music: Characterization, classification, and measurement. Emotion, 8, 494-521.