Supportive readings from the course content  

List of Readings from the Course 

 

Arlander, Annette & Elo, Mika (2017). Ekologinen näkökulma taidetutkimukseen. Tiede & Edistys 4, 335-346.

 

Eisenstein, Sergei. "Methods of montage." Film Form: Essays in Film Theory (1929): 72-83.

 

Elo, Mika. “Three Phases of Artistic Research.” RUUKKU, Volume 18, 2022. 

http://ruukku-journal.fi/en/issues/18/voices/mika-elo

 

Erkkilä-Hill, Jaana. "Voiko taiteilijaksi kasvattaa vaiko vain kasvaa: mitä voisi olla taiteilijapedagogiikka?." Synteesi 39, no. 3-4 (2020): 78-91.

 

Erkkilä-Hill, Jaana, and Jari Tapio Rinne. Arctic sound and nature: perspectives on vibrating worlds. Lapin yliopisto, 2018.


Helke, Susanna. "Repeämän hetket: Toisen elämä ja radikaali tasa-arvo." In Jacques Rancière ja erimielisyyden näyttämöt, pp. 198-215. TUTKIJALIITTO, 2017.

 

Helke, Susanna. " The Documentarist and His Poor: On Radical Otherness and The Exuberance of the Have-nots." Post Script 36 (2017).

 

Helke, Susanna & Pedregal, Alejandro. “Estrangement and Gestures of Emancipation.” Nordic Journal of Artistic Research, 2019. 

https://www.researchcatalogue.net/view/556738/556739

 

Juelskjær, Malou, and Nete Schwennesen. "Intra-active entanglements–An interview with Karen Barad." Kvinder, Køn & Forskning 1-2 (2012).

 

Laakso, Harri (2018). Pressings. In Figures of Touch. Sense, Technics, Body (pp. 181-211). Academy of Fine Arts at the University of the Arts Helsinki.

 

Lohmann, Julia C. The Department of Seaweed: co-speculative design in a museum residency. Royal College of Art (United Kingdom), 2018. https://researchonline.rca.ac.uk/view/creators/Lohmann=3AJulia=3A=3A.html

 

Mäkelä, Maarit (2016). Personal exploration: Serendipity and intentionality as altering positions in a creative process. FORMakademisk 9 (1), Article 2, 1-12.

 

Noronha, Julia Valle. "On the agency of clothes: surprise as a tool towards stronger engagements." In Research Through Design, pp. 519-534. 2017.