Man’s struggle for salvation

A programmatic interpretation of Franz Liszt’s B minor Sonata

Researcher and pianist: Leone Monaco

Main subject: Classical Piano

Student number: 3379205

Date: 22/02/2023

Royal Conservatoire The Hague

Research Supervisor: Bart van Oort

Format: Exposition

Index


Introduction


1. Liszt and religion: a biographical preface

- 1.1. Liszt: beyond the pianist

- 1.2 Abbé de Lamennais: revolution and religion

- 1.3 The context around the composition of the Piano Sonata in B minor


2. Symbolism

- 2.1. The beginning: the symbol of temptation and damnation

- 2.2. Symbols of Lucifer and Satan: two sides of the same coin

- 2.3. The Cross symbol

- 2.4. The faith theme


3. Goethe’s Faust

- 3.1. The true reason of the connection with the Sonata

- 3.2. Comparing the Sonata and the “Faust Symphony”

- 3.3. A Faustian interpretation of the Sonata


4. Milton’s Paradise Lost and the Bible

- 4.1. Why the Paradise Lost? The reasons behind a different vision

- 4.2. Another vision: a Miltonian/Biblical interpretation of the Sonata


5. Conclusions: a universal program and a “leading thought” throughout the piece

- 5.1. An all-embracing program

- 5.2. Interpretive suggestions

   - 5.2.1. The beginning

   - 5.2.2. The Cross motif: the meaning of Grandioso and appassionato

   - 5.2.3 The “circular” fugue

   - 5.2.4. The last bars

 

Bibliography