The Baltheruzian influence

Abstract: 

I’m in the proces of turning a children’s book into an stop-motion animated film. I wrote and illustrated the book in 2018. Everything comes from a series of paintings I did some years ago, in particular one of my first real paintings - “Cpt. Baltheruz’ last journey” which has lead to a whole series of paintings and the (picture-)book and soon the film.Regarding the process of turning a book into a film, I find that I’m not loosing value but rather gaining value since the book is quite short and heavily relies on the visual aspects, where as the text is really straight forward: mostly lines from the characters and basic action) the text in the book is  plain and not a literally masterpiece. So the transformation is actually most striking in the choice of different esthetics.Therefore I can add a lot of things in the story just by movement, by the craft of the doll-making and the scenography.

Animatic for "Otto & Cpt. Baltheruz - The holy mushroom (previous title: the magic mushroom)

"Cpt. Baltheruz' last journey" oilpainting on board, 2016, 140x100 cm

The book "Otto & Cpt. Baltheruz - the holy mushroom" with illustrations and story by Rasmus Albertsen

Previous projects leading to this.

Kogekunst: "Kan ikk' vente til i morgen" (2018)

 

"Olofsson" (2022)

Building process 

Some films that are both written and animated/filmed by the same author

"Äventyrspizzan" (1996) Eva Lindström, Sweden

"Aprikoser" (1996) Lotta Geffenblad, Uzi Geffenblad, Sweden

"Hasses dagbok" (1991) Johan Hagelbäck, Sweden

Visual references

"CRASH" (1984) DR, Carsten Overskov, Denmark

"Fraggle Rock" (1983-1987) Jim Henson, USA

"John Dillermand" (2021) Denmark, production company: "Made by us"

"Worship" (2016) Nathalie Djurberg & Hans Berg

"A town called panic" (2002-2003) Belgium, Stéphane Aubier and Vincent Patar

"Bathhouse" (2014) Sweden, Niki Lindroth