Luisa Greenfield is a Berlin-based visual artist working predominantly with analog film and essay writing. She holds a Ph.D. in Art and Media from the University of Plymouth, UK. Her current work comes from a close study of Danièle Huillet and Jean-Marie Straub’s 1972 film Geschichtsunterricht (History Lessons). She is an active member of the LaborBerlin analog film collective and is co-editor of the book, Film in the Present Tense (Berlin: Archive Books, 2020).
Camilla Graff Junior works, as a performance artist and curator, situated in the intersections between visual art, creative writing, narrative, feminist theory, archive and affect. In her current research project, she uses an auto-ethnographic approach as a method to look at performance as a tool to investigate social practices as they affect and reflect a woman's life. She has over the last thirty years conceived solo and collaborative works performed and received in residency in Europe, Africa, South America and the United States.
Per Roar works as a choreographer, performer, and artist-researcher. Drawing on his interdisciplinary background and concern for socio-political matters, he combines strategies from social research with somatic approaches to choreography, as in his doctorate Docudancing Griefscapes (2015) from the UniArts Helsinki. He is a professor in choreography at Oslo National Academy of the Arts (KHIO) and currently co-leading MEMORYWORK (2021-2024), an artistic research enquiry into the politics of remembrance and representation.
Myna Trustram has worked in England for many years as a historian, museum curator and academic. In 2021 she stopped paid work and now works as a writer, mostly of short experimental essays in which she calls upon literary and academic forms to consider themes such as mourning, childhood, separation and emptiness.