Allegory and Symbolism in “Sei Solo” — Focusing on musical message by J.S. Bach, from Six Solo Violin Sonatas and Partitas BWV1001-1006

Eriko Nagayama

This research explores the use of allegory and symbolism in Johann Sebastian Bach’s Six Solo Violin Sonatas and Partitas (BWV 1001-1006). The central inquiry is how Bach incorporated European allegorical and symbolic ideas into his music. Key aspects of this investigation include understanding how Bach applied symbolism through ornamentation, tonality, and numerical values. The study raises several questions: What were the common allegorical ideas in Europe at the time? Is there a consecutive story behind the Sei Solo? How do symbols relate to the piece? Additionally, it will examine how allegories (which is more common in literature and art) manifest in his Sei Solo through musical gestures like messa di voce, harmony hierarchies, and inflections. This research is dedicated to all the curious minds exploring allegory and symbolism in music—from those newly discovering J.S. Bach to devoted Bach lovers, students, and professionals.

Table of contents

Introduction

Questions and Methods for my research

Chapters:

I. "Sei Solo"

II. Symbolism and Allegory?

III. Tonalitites and Key characteristics

IV. Gematria, Bach and numbers

V. Analysation on Adagio from G minor Sonata BWV1001

VI. Analysation on Fuga from G minor Sonata BWV1001 (to be continued)

Conclusion

Bibliography

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Eriko Nagayama - Allegory and Symbolism in “Sei Solo” — Focusing on musical message by J.S. Bach, from Six Solo Violin Sonatas and Partitas BWV1001-1006 - 2025