DIALOUGE ORIENTED
interviewiewing:
what matters in studio, how you like to get into the body, how you learn

offering different words/entries into the work throughout the process

asking for performers own associations

TIMING AND DEPTH OF FEEDBACK
A tendency to give a lot of feedback altogether and in a detailed manner
When do I give feedback? In the moment/ afterwards? 
Difficulty to name current priorities 

METHODS DISCOVERED

CHALLENGES FACED

VALUE OF ORGANISATION

Planning rehearsals beforehand
Studio bookings
Realistic Content Planning

FINDING THE WORDS

difficulty in finding words for what the work needs and on which level of the movement it needs work (physicality, texture, intention, performativity/state) 
what is my work about?

VALUE OF ROUTINED WARM UP
Made me begin to realize which aspect I use and why

RELIABILITY OF THE WORK
wish to work from a state and situativeness holds the difficulty of finding the tangible aspects.
not knwoing which those are..