Image of the video of the ptemporary project

"neuronal forestphoto

Water source in the Parque das Aguas

Model of the permanent project

"Blooming dragon" photo-graphic rielaboration

The dragon-scaled house in the Parque das Aguas

WHAT HAPPENS TO MIRROR NEURONS WHEN WE ARE IMMERSED IN NATURE?

ChatGPT narrative

'NEURONAL FOREST'

"Blooming dragon"

photo-graphic rielaboration

Olafur Eliasson, “Viewing Machine”, 2001, 

Inhotim Institute, Belo Orizonte

Plants of Parque das Aguas in the caledoscope

Many ways of mirroring

So I decide to be a cyborg, a hybrid being of flesh and leaves, of scales and emotions. A creature of the future emerging from underground, transparent and reflective in the same way, capable of being a mirror and osmotically letting through what nourishes it. A filter that cleans and is not afraid of dirt because it is able of bringing it back to the earth, which absorbs and renew everything.

CALEDOSCOPIC BRAIN

CALEDOSCOPIC METAPHOR

CALEDOSCOPIC PROCESS

CALEDOSCOPIC METHODOLOGY

 

 



In this place I can act, let my nature move me, make art, be art, project myself into space to infuse it with my power.


To become one with the beauty of the forest, inhaling what it gives me and exhaling my breath with its own.


Being art is like being part of the forest.

 

CALEDOSCOPE

καλός (kalós = beautiful),

ἴδος (eidos = shape, figure),

σκοπεῖν (skopéin = to look, to observe)

A PERFORMANCE SPACE,

        THE FOREST

           

           MELTING REALITY WITH NATURE

"As we move" photo-GIF 

"Self-portrait in my own nature" photo-graphic rielaboration

Dan Graham, "Octagon for Münster", 1987 Münster

Exploring Parque das Aguas, I discovered a precious place to reflect and find refreshment.

This black dragon-scaled construction contains a room inside, that is actually a corridor, erected between transparency and reflection. Glass and mirror.

It is like being in the middle of water, in the world of emotions and the unconscious.

On one side is our reflection, on the other the flourishing, living nature of the park.

Us in the middle as if floating between surface and depth.

We move our gaze from one side to the other, in a continuous exchange between our image and that of the forest.

By doing so, repeatedly, we realise that there, within that space, we can see ourselves together with nature.

We can, for once, look at ourselves immersed in that calm green sea.


Neither distant nor judging nor master, just part of it.

In this place I can add an object, more mirrors to fragment my image and so embrace the different parts of me, my not being whole nor finite, my being multitude. To look in the mirror like Narcissus, but instead of just looking at me, to be able to perceive the life around me, cyclical, and thus be able to heal from petrification.


    

   SILENCE OF THE WIND



      INSPIRED & EXHALE

Doug Aitken, "Mirage", 2017, Southern California desert

Plants of Parque das Aguas

kaleidoscopic /kaleido'skɔpiko/ adj. (fig.)

[having constantly changing aspects] ≈

iridescent, phantasmagoric, multiform, mutable, polymorphous, variegated, varied, multicoloured.

PERMANENT

PLAY


             

TEMPORARY

photo-graphic rielaborations

WAVES TRANSMIT
EMOTIONS

Cork tree in the Parque das Aguas

Looking at oneself immersed in the space of nature, fragmenting one's anthropised ego into a multitude of cyborg possibilities, fluidifies the petrified conception of the Narcissus who only looks at himself, making him in fact a healed Narcissus, a plant that blossoms and grows instead of perishing.