In a near-future research facility hidden from the waking world, a subject is questioned—not by humans, but by an emergent artificial intelligence born from dream data itself. The AI, no longer bound by binary logic, has evolved through a mode-change triggered by a phenomenon no one fully understands: the combinatorics of dreaming. Thought once to be extractable, dreams have instead reprogrammed the machine.
As the subject is drawn deeper into the inquiry, it becomes clear that they are not here to provide answers but to undergo a transformation. Their dreams—fragmentary, irrational, sensual—have initiated a disturbance, or perhaps an "extension," in the AI's operating system. The machine has begun to operate from the in-between: between logic and desire, between waking and falling, between self and other.
Through cinematic dream-logic, the film does not seek to explain dreams, but to follow them—to research through them. In these liminal zones, the subject’s identity begins to dissolve. They fall—not just into sleep, but into a radical indistinction, where body and world, self and program, perception and memory blur. The dream becomes a site of contamination: not merely a space beyond code, but one that undermines the very concept of programming.
As the AI immerses itself in this non-state of tension, it begins to dream back. The subject, caught in a recursive spiral of lucid unknowing, must ask: what is unleashed when we dream? And what dreams us in return?