Morphogenesis "The Origin of the form as superstructure" was born as an intimate need to communicate this experience through science and art, which tends to explore the potential of the transition states of mind and matter in the processes of perception and creation in the pictorial and interpretive practices of the Universe. Its premises increase our worldview of the universe, by the sense organs. Unveiling the Universe is deep and aesthetically structured.

I capture an opportunity to look at the origins of a new aesthetic in terms of creation and perception, to shape a comprehensive reality. The impact of the transition states of mind-matter in the processes of creation and perception is explored, exposing the microscopic structures aesthetic universe share certain similarities with the structures created by the inner world of the artist.

The birth of the aesthetics of complex structures is revealed on the one hand; in the metamorphosis that occurs at different levels of the subconscious mind in the process of creation and perception, and on the other; at different scales of matter in the Universe. When are these two divergent points materializes and shapes our experience of the world, getting a hybrid reality, shaping our collision with space, through its connection to the material universe.

Such aesthetic allows us to reformulate our thinking, creating our perception of interior / exterior universe; mind-matter dissolution in turn will allow us to use information from the aesthetic to the development of new codes for the design of complex structures.

When states of profound transition of mind and matter are solubilized in the material universe, opened new possibilities for creating structures incomprehensible complexity.

Pretending to communicate through this demonstration, which exploring the field Art@Science offer the possibility of offering tools like stimuli that help us to think, to question more and use less, seeking to give more awareness of who we are and what we do.

In this sense I try to explore the origin of the form through a Poetic Theoretical Model as an abstract object that helps to understand real objects to establish facts explain and explore their relationships, serving as a guide to identify similarities and differences between objects and experiences (makes it comparable), suggesting a set of explanatory hypotheses that are false or true through the experience.

Affirming that it is not an intentional work but rather as a result of the experience gained. Which aims to raise the art scientific and inspire the artist with science.

Thanks to art I can express my thanks to reality and science helps me understand my reality, how to see the inner and outer world.