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• contents
  • HOME : Title Page
  • 1. Introduction and Background
  • 2. Research Questions and Subquestions
  • 3. Research Methodology
  • 4. Theoretical Framework: Definitions of Key Terms
  • 5. Significant Others
  • 6. My Own Artistic Practice: Two Case Studies
  • 6.1 FutureMoves
  • 6.2 Rokkur
  • 7. Conclusion and Summary of Results
  • Works Cited
  • Sarah Albu
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• abstract
  Integrated musical experiences have long existed, previous to and outside of the traditional concert music setting. Interdisciplinary approaches to performance creation are becoming more accepted and more common in academic music contexts. This research asks the question "How does the concept of embodiment serve the creation of interdisciplinary work within a musical context?", examined through the lens of definitions of embodiment, spinning, technology, community, and inter/multidisciplinary vs. intermediality and expanded through case studies of two of the author's recent performance works.
• Sarah Albu - Concepts of Embodiment in Interdisciplinary Work Within a Musical Context - 2019
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