Bibliography


Monteverdi

Carter, Tim. Monteverdi and his contemporaries, Edit. Routledge, 2000

 

Carter, Tim. Essay, Resemble and representation : Con che Soavità, Studies in in Italian Opera, Songs and Dance, 1580-1740( Iain Fenlon and Tim Carter), Clarendon Press, Oxford, 1995

 

Gordon, Bonnie. Monteverdi’s unruly Women, The Power of Song in Early Modern Italy, Cambridge University Press, 2004

 

Lowinsky, Edward. The concept of Physical and Musical space in the Renaissance, Editor Gustave Reese, Minnesota University Press, 1941

 

Lowinsky, Edward. Tonality and atonality in Sixteenth -century Music, University of California Press, 1961

 

Mirollo, James. The poet of the Marvelous, Gianbattista Marino, Columbia University Press, 1963


Ossi, Massimo. Divining the Oracle, Monteverdi’s Seconda Prattica, The University of Chicago Press, 2003

 

Schafe, Eric. Monteverdi’s tonal language, Schirmer books, 1992

 

Schrade, Leo. Monteverdi, Creator of Modern Music, Victor Gollanz, London, 1964 

 

Stevens, Denis. Monteverdi in Venice, Associated University Presses, Inc, 2001

 

Stevens, Denis. The Letters of Claudio Monteverdi,The Clarendon Press, Oxford, 1995

 

Stravinsky, Igor. An autobiography, 1935

 

Stravinsky, Igor. Poetics in music in the form of six lessons, trans Arthur Knodel and Ingolf Dahl, Harvard University Press, 1947

 

Tomlinson, Gary. Monteverdi and the end of Renaissance, Oxford, 1987

 

Whenham, John. Duet and Dialogues in the age of Monteverdi, vol 1, UMI Research Press, 1982

 

Borromini

Academia Nazionale di San Luca. Studi sul Borromini, vol 1, De Luca editore, Roma, 1967

 

Blunt, Anthony. Borromini, Harvard University Press, 1974

 

Borromini, Francesco and Virgilio Spada. Opus Architectonicum, Roma, 1720-25

 

Hill, Michael. Practical and symbolic geometry in Borromini’s San Carlo alle Quattro Fontane, Dec 2013, Journal of the Society of Architectural Historians, vol 72, 4, December 2013 (p.p 505-583) Jsah.ucpress.edu

 

Gideon, S. Space, Time and Architecture, The growth of a tradition, Harvard University Press,1967

 

Morrisey, Jake. The Genius in the design, Bernini, Borromini, and the Rivalry that transformed Rome, Harper- Collins Publishers, 2005

 

Pallasmaa, Juhani. The eyes of the skin, Architecture and the senses, Wiley- Academy, England 2005

 

Pittoni, Leros. Francesco Borromini, L architetto occulto del barocco, Luigi Pellegrini Editore, 2010

 

Portoghesi, Paolo. Borromini, Architettura come linguaggio, Instituto editoriale Electa, Milano,1967

 

Portoghesi, Paolo. Roma Barocca, Storia di una civiltà architettonica, Carlo Bestetti, edizioni d’Arte, Roma, 1969

 

Portoghesi, Paolo. Borromini, un architetto Lombardo, 2013, lecture ( vimeo.com)https://vimeo.com/83689284

 

Wittkower, Rudolf. Art and Architecture in Italy 1600-1750, Penguin, Middlesex, 1985

 

 

Caravaggio

Ackerman, James. Distance points: Essays in theory and Renaissance Art and Architecture, the Mit Press, 1991

 

Askew, Pamela. Caravaggio’s Death of the Virgin, Princeton University Press, 1990

 

Cropper, Elisabeth. The petrifying Art: Marino’s poetry and Caravaggio, Art ,Music and Poetry in the Age of Caravaggio, Metropolitan Museum, 1990 ( docplayer.net, 25-11-2016)

 

F. Moffit, John. Caravaggio in context: Learned Naturalism and Renaissance Humanism, Mc Farland and company , Inc, Publishers, 2004

 

Ndalianis, Angela. Essay: The baroque Ocular regime and the limits of the frame( 7-10-2016) web.mit.edu

 

Puglisi, Catherine. Caravaggio, Phaidon press limited, London, 1998

 

Stella, Frank. Working Space, Harvard University Press, 1968

 

Varriano, John. Caravaggio: The art of realism, Pennsylvania State University Press, 2006

 

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