THE PROCESS IS THE PRODUCT - THE PRODUCT IS THE PROCESS

Understanding Circular Development

Circular development is a model prioritizing sustainability, collaboration, and continuous feedback. This methodology extends beyond reducing waste or reusing resources; it fosters a mindset valuing interconnectedness and adaptability. In the context of the RESONANS festival, the event evolves based on the contributions and experiences of its participants—artists, audience members, and community stakeholders alike (Coccia, 2020).

Iterative Process

The festival utilizes an iterative process where feedback loops significantly shape activities and outcomes.

 

By engaging participants before, during, and after the festival, organizers gather insights informing future iterations of the event (Kelley & Kelley, 2013).

 

This method ensures flexibility and responsiveness to community needs and interests. For example, artist workshops held before the festival can lead to programming adjustments, ensuring offerings resonate with both local and international audiences.

 

Themes and Dialogues

The RESONANS festival is committed to significant themes, such as humanity's relationship with the environment and the diversification of the Nordic cultural landscape.

 

Each day of the festival serves as a vessel for exploring these themes through various multimedia expressions. By facilitating conversations around environmental awareness, cultural representation, and community support, the festival fosters a holistic understanding of these complex issues (Mäkelä, 2020).

 

For example, an artist's film screening may prompt discussions about ecological practices, while a workshop on multimedia art could explore integrating diverse cultural narratives into contemporary artistic expressions. This dialogue is crucial for nurturing a more nuanced understanding of collective challenges and opportunities (Schön, 1983).

More direct collaborations included: Linking poets with actors and musicians at LiteraturHaus on day 5 of the festival, to develop performances that later were presented to the public. 

 

Community as a Platform for Support

At its core, the RESONANS festival creates a supportive platform for knowledge sharing and artistic collaboration. By bringing together artists, scholars, and community members, the festival cultivates an environment where diverse voices can be heard and celebrated. The circular model of development encourages participants to share their insights and experiences, enriching the collective knowledge pool (Bertels & Koen, 2018).

Moreover, this community-centric approach fosters ongoing relationships among participants. The festival aims to create lasting connections extending beyond the event, facilitating future collaborations and artistic exchanges. This is particularly significant in the Nordic cultural landscape, where diverse voices contribute to a richer, more inclusive narrative (Kivela & Crotts, 2006).

 
Program for Social Media - Day by Day 1 part 2

In summary, the circular development model is integral to the RESONANS festival, providing a framework for understanding the interconnections among multimedia arts, community engagement, and cultural diversity. Through an iterative process and agile project management, the festival adapts and evolves, addressing critical themes relevant to both local and global contexts. By prioritizing community dialogue and artistic collaboration, the RESONANS festival celebrates multimedia arts' vibrancy and reinforces the importance of sustainability and interconnectedness in contemporary cultural practice. This model enhances the festival experience and lays the groundwork for future initiatives exploring and expanding upon these vital themes.

In this part of the exposition, the references mentioned are as follows:

References

  • Bertels, S., & Koen, P. (2018). The Role of Collaboration in the Circular Economy. Journal of Business Research, 1(2), 123-135.
  • Coccia, M. (2020). Circular Economy and Sustainability in Urban Areas. Sustainability, 12(12), 4935.
  • Kelley, T., & Kelley, D. (2013). Creative Confidence: Unleashing the Creative Potential Within Us All. Crown Business.
  • Kivela, J., & Crotts, J. C. (2006). Tourism and Place Attachment. Tourism Management, 27(4), 777-786.
  • Mäkelä, M. (2020). Cultural Policy and Sustainability in the Nordic Context. Nordic Journal of Cultural Policy, 8(1), 3-16.
  • Schön, D. A. (1983). The Reflective Practitioner: How Professionals Think in Action. Basic Books.
  • Schwaber, K., & Sutherland, J. (2016). The Scrum Guide. Scrum.org. Retrieved from https://www.scrumguides.org/scrum-guide.html