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1. INTRODUCTION

1.1 Concept & personal motivation

1.2 Research question

1.3 Methodology

1.4 My musical approach

1.5 Inspirations for interdisciplinary exploration

2. THEORETICAL BACKGROUND

2.1 Historical perspectives on colour and music

2.2 Cross-modal correspondences in multisensory perception and music

2.3 Conclusion and artistic implications

 

3. EXPERIMENTATION

3.1 Collaborative process

3.2 Evolution of ideas: from abstract concepts to practical choices

3.3 Collaboration across distance: virtual and in-person sessions

3.4 Exploring balance in artistic collaboration