Conclusions & discussions 


In this chapter, I will briefly organize and summarize the conclusions drawn from my research. These conclusions are structured into four sections: personal reflections, answers to my main research question and subquestions, findings from the case studies, and general conclusions. Each section provides insights into how the exploration of warm-up strategies has influenced my approach, the effectiveness of different methods, and potential future developments in this field.


Personal Conclusions


Throughout this journey, I have gained an incredible sense of body awareness. I now recognize when my posture is incorrect, listen to my body’s signals, stop when I feel pain, and stretch or move when I sense tension. This awareness has deeply transformed not only my physical well-being but also my creative approach to practice. I am now much more flexible in my mindset and open to exploring alternative ways to approach my instrument.

Additionally, my digestive issues have improved, and I have fostered a healthier relationship with my artistic self—one that is more compassionate and less self-critical. I have become more mindful of the toxic mentality that still prevails among musicians, where suffering is often normalized under the "no pain, no gain" mindset. Seeing this reflected in widely shared social media content made me realize how deeply ingrained this belief is.

Many of my colleagues continue to struggle with back pain and think that joining a gym is the only way to improve their physical condition. However, as experts like Jan van Beek, Irma Kort, Mara Tar, and Ana Belén Árbol have emphasized, physical well-being does not necessarily require a gym. A 5–10 minute morning routine is key to making a significant difference. It is essential to find what suits you best, and there's no need to go to the gym. For me, it is yoga.

Reflecting on the case studies, I have realized that incorporating warm-up exercises at different points during the day—rather than solely before practice—can be even more effective. These exercises can serve as moments of self-care, whether we label them as warm-ups or simply “momentum” for ourselves. Personally, I have found that mental preparation, such as writing down my practice goals or imagining, helps me connect with my instrument more than a physical warm-up before playing, taking into consideration that most of the times I practice yoga in the morning. Future research will explore the benefits of integrating physical and mental preparation throughout the day.

Finally, education plays a crucial role in increasing musicians’ awareness of these topics. Institutions should actively promote and even require students to engage in courses on mindfulness, Body Mapping, Flow, Alexander Technique, and Yoga. While my conservatory offers excellent resources in these areas, many students do not take advantage of them. This highlights the need for institutions to make such training mandatory, ensuring that all musicians understand its importance and preventing future generations from experiencing the same physical and mental struggles that continue to affect so many professionals today.


Conclusions Related to My Research Question


Main Research Question: What constitutes a good warm-up, and what can musicians do to be prepared for practice or performance?


Through this study, I have concluded that an effective warm-up requires a holistic approach, addressing the body, mind, and emotions. Physical mobility exercises help musicians connect with different parts of their bodies, while breathing techniques enhance mental clarity and relaxation. Meditation practices further aid in stress management, which is particularly beneficial for performance anxiety—an issue that research has compared to the pressure experienced by pilots landing an aircraft.

However, institutional support is essential to ensure that musicians integrate these strategies into their routines. Without proper guidance and reinforcement, the high injury rates among musicians will persist. The more educational institutions prioritize well-being initiatives, the more likely musicians will be to adopt sustainable, healthy habits.

Furthermore, the range of available courses should be expanded, allowing musicians to choose the methods that resonate with them. Artistic development should include self-exploration, fostering creativity in practice sessions, and moving beyond repetitive hours of mechanical study. Simple actions such as taking mindful walks, engaging in meaningful conversations, consuming nutritious food, and exploring different study strategies can contribute significantly to an artist’s well-being.


Subquestion 1: How do musicians assess the effectiveness of their warm-up routines?


Through trial and adaptation. The case studies have shown that some musicians may benefit more from incorporating physical exercises during breaks rather than before playing, while others might find mental preparation more effective. Future research should investigate the most beneficial timing and format for different types of warm-ups.


Subquestion 2: Are there indicators or markers that can be used to gauge the success of a warm-up?


Yes, but they vary among individuals. Musicians need to experiment with different approaches to determine what works best for them, much like choosing a physical activity that suits their personal preferences and needs.


Conclusions from the Case Studies


The case studies have demonstrated the importance of carefully selecting pre- and post-experiment questions, as well as conducting thorough interviews to collect meaningful feedback.

The results confirm that body awareness improves significantly when musicians engage in warm-up routines, even for a short period. However, different approaches work for different individuals. While some participants preferred warming up before playing, others found it more beneficial during breaks. Future research should extend the duration of case studies to a month or longer, allowing participants to explore mental preparation separately from physical preparation before ultimately combining both elements.

Overall, conducting case studies has been invaluable in testing and refining the "Warm-Up Menu." These real-life applications provide essential insights into how musicians integrate these strategies into their daily practice. Moving forward, I hope to test the menu with a broader range of students to further assess its impact.


General Conclusions


Through this journey, I have developed the "Warm-Up Menu"—a structured yet flexible approach designed to help musicians cultivate better habits, enhance body-mind awareness, and prioritize their well-being. While this project marks a significant step, it is only the beginning. I have already experienced a profound transformation, but my exploration of movement, mindfulness, and structured practice will continue to evolve.

This research is my small contribution to a much larger movement—one that I hope will continue to grow with the support of educational institutions. Additionally, I plan to create a website and an Instagram page to reach and connect with more musicians, particularly young artists, through social media. Given the impact that digital platforms have today, this initiative could help spread awareness and make these concepts more accessible to a wider audience.