Acknowledgements

Deepest thanks to my collaborators Nathan and Samuel, and David Fenton with whom I first discussed plasticity. Tyrone and Lesley in a Spot was produced by Metro Arts

 

Links

A script for the show may be found here: https://eprints.qut.edu.au/97638/

A text-only version of this article can be found here: https://eprints.qut.edu.au/103749/

Video from the show can be found here: https://youtu.be/mjF9uunxCUc

Blog posts created during the process are here: https://lifeinthelongtail.wordpress.com/2015/07/23/tyrone-and-lesleys-festival-piece-part-1/

If this much Tyrone and Lesley is barely enough:

https://tyroneandlesley.wordpress.com/

https://www.youtube.com/user/TyroneUkulele

https://www.facebook.com/TyroneUkulele/

 

References

Auslander, P. (2006), ‘Musical Personae,’ TDR: The Drama Review, 50:1, pp. 100–119. 

Bedau, M. and Humphreys, P. (2008), Emergence: Contemporary Readings in Philosophy and Science, Cambridge: MIT Press.

Byrne, D. (2012), How Music Works, Edinburgh: Canongate Books.

 

Diball, R. (2016), Tyrone and Lesley in a Spot/Warmwaters, (Review), downstagediscernments.wordpress.com/2016/06/13/tyrone-and-lesley-in-a-spot-warmwaters/. Accessed 1 September 2016.

 

Eno, B. (1996), A Year With Swollen Appendices, London: Faber & Faber.

 

Frith, S. (1996), Performing Rites: Evaluating Popular Music, Oxford: Oxford University Press.

 

Hargreaves, D.J., Miell, D. and MacDonald, R. A. R. (2012), Musical Imaginations: Multidisciplinary Perspectives on Creativity, Performance and Perception, Oxford: Oxford University Press.

 

Harvie, J. and Lavender, A. (2010), Making Contemporary Theatre: International Rehearsal Processes, Manchester: Manchester University Press.

 

Heaney, S. (2002), Finders Keepers, New York: Faber Books.

 

Jaquette, D. (2015), The Philosophy of Schopenhauer, London and New York: Routledge.

 

Kattenbelt, C. (2008), ‘Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships’, Culture, Language and Representation, VI, pp. 19–29.

 

Kershaw, B. and Nicholson, H. (2011), Research Methods in Theatre and Performance, Edinburgh: Edinburgh University Press.

 

Langer, S. K. (1953), Feeling and Form: A Theory of Art Developed from Philosophy in a New Key, London and Henley: Routledge and Kegan Paul.

 

Lehmann, H-T. (2006), Postdramatic Theatre. London: Routledge.

 

Mamet, D. (2013), Three Uses of the Knife, New York: Vintage Books.

 

Megarrity, D. (2002), Ukulele Mekulele, [Creative Work], https://eprints.qut.edu.au/56013/. Accessed 1 September 2016.

 

Megarrity, D. (2012), Bear With Me, [Creative Work], https://eprints.qut.edu.au/56013/. Accessed 1 September 2016.

 

Megarrity, D. (2014), Gentlemen Songsters, [Creative Work], https://eprints.qut.edu.au/84182/. Accessed 1 September 2016.

 

Megarrity, D. (2015), Musicalising Theatre, Theatricalising Music: Writing and Performing Intermediality in Composed Theatre, PhD by Creative Works, Queensland University of Technology, https://eprints.qut.edu.au/88953/. Accessed 1 September 2016.

 

Megarrity, D. and Sibthorpe, N. (2016), Tyrone and Lesley in a Spot, [Creative Work], http://eprints.qut.edu.au/97638/. Accessed 1 September 2016.

 

Miell, D., MacDonald, R. A. R. and Hargreaves, D. J. (2005), Musical Communication, Oxford: Oxford University Press.

 

Nelson, R. (2006), ‘Practice-as-research and the Problem of Knowledge’, Performance Research, 11:4, pp. 105–116.

 

Pavis, P. (2013), Contemporary Mise en Scène: Staging Theatre Today, London and New York: Routledge.

 

Rebstock, M. and Roesner, D. (2012), Composed Theatre: Aesthetics, Practices, Processes, Bristol: Intellect.

 

Sawyer, K. (2003), Group Creativity: Music, Theater, Collaboration, New Jersey: L. Erlbaum Associates.

 

Schrage, M. (1995), No More Teams: Mastering the Dynamics of Creative Collaboration, New York: Currency/Doubleday.

 

Spry, T. (2011), Body, Paper, Stage: Writing and Performing Autoethnography, Walnut Creek: Left Coast Press, Inc.

 

Strunk, W. and White, E. B. (2000), The Elements of Style, 4th edn, Boston: Allyn and Bacon.

 

Sullivan, K. (2016), ‘Tyrone and Lesley in a spot’, [Review], www.thecreativeissue.com.au/Tyrone-Lesley-Spot. Accessed 1 September 2016.

 

Wolf, W. (1999), The Musicalisation of Fiction: A Study in the Theory and History of Intermediality, Atlanta: Rodopi.

 

Zollo, P. (2003), Songwriters on Songwriting, New York: Da Capo Press.