This song started off as a musical idea which developed during a session exploring Exercise 9 - Fractal Mirrors.
The B section begins with an F#7 chord, to avoid falling into the same cliches of my own playing I changed the starting chord to the first inversion, then voiced it as a spread triad. From here I explored where I could move this sound, eventually I decided to experiment with LCR voicings, fractals and spread triads within and around the F# Phrygian dominant mode, this led to the first sequence , after looping the sequence for some time I tested different variations which lead to two distinct chordal sequences on the second and fourth cycles of the B section.
Towards the end of the C section there is a line that serves as a bridge back into the A section. This line, initially improvised, comprises three triads: D, C#m and back to D preceding three instances of a right fractal shape moving through the scale horizontally implying E11 and D6 chords before resolving to E6 in preparation for the return back to the F#m9 at the beginning of the last A section .
